Beautiful Miao woman’s apron with black calendered cotton cloth, and green commercial border, and fine silk embroidered center panel with hand woven silk embellished apron ties, from Guizhou. The colors in center panel are particularly luscious and I would date this piece 40 to 60 years of age. W: 40cm/15.8in and L: 43cm/17in. Free shipping Hong Kong Registered Airmail

A creamy white jade "bi" pendant with natural mottled brown and amber coloration. The shape is not a flat disc (bi) but of a rounded disc shape and comes with a blue glass melon bead. The jade has very attractive, complex patterns and a beautiful patina that has developed through time. Size: Width 5 cm - 2 inches

A whimsical Japanese boxwood carving of a toad, with inlaid eyes, crawling atop a functioning cylindrical box carved of bone. The box is hand-carved with flying insects and leaping frogs in a lily pond, the base carved with a floral band. Signed by the artist.

Dimensions: 3 3/4" x 2 1/2" x 6 3/4" H

Japanese small amber carving of a frog resting on a leaf. The golden yellow amber has natural inclusions.

Dimensions: 1 3/4" x 1 3/4" x 1" H

A contemplative and artistic rendering of a lotus leaf bowl with deteriorated edges. The lotus is a symbol of purity, beauty and a metaphor in teaching Buddhism. The lotus bowl has a small frog sitting on the leaf's edge with outstretched leg. The underside of the leaf bowl has 3 characters of the artist's signature.

Meiji Period (1868-1912)

Dimensions: 9" x 8 1/2" x 1 3/4" H

A cultural treasure - our oldest and most important mizusashi: wonderful Chosen Karatsu Tataki Mizusashi from the Momoyama Period (1573 - 1603). It was perfectly thrown first into a cylinder shape and then squeezed and paddled into a distorted pear. Iron oxide glaze has been poured inside and out.

On the rim a blueish rice straw ash glaze has been applied in the typical Chosen Karatsu fashion. The mizusashi is supplied with a tailor made lacquer lid of a somewhat later date. The lid...

Chinese ceramic arrow form vase, with thick green crackle celadon glaze and wide squared mouth. An arrow vase is a type of vessel used for the game Touhu in which players would throw arrows into the cylinders attached to the sides of the neck.

Dimensions: 3" x 2 1/2" x 5" H

Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. These mythical effigies have deep religious and social symbolism and can be seen in countries across Asia.

This exquisite incense burner features three guardian shishi—one adorning the lid and one on each side—and appears to be made from cop...

Rare semi antique supplementary warp silk embroidery on handspun indigo cotton, blanket from the diverse Tai ethnic group Vietnam/Laos. I collected this in Chiang Mai around 15 years ago and would date it around 50 to 90 years old. Nowadays you just can’t find this sort of textile anymore. Some minor embroidery losses but overall in very good condition. Dimensions: 80cm/31.5in x 137cm/53in.

The creator of this lovely Hagi chawan, Hirose Tanga (b. 1939) is the master-potter of Tenpozan kiln in the city of Hagi. When I acquired my first tea bowl by this artist it reminded me of bowls produced by Yoshida Shuen (apprenticed under NLT Miwa Kyusetsu). As it turns out, Yoshida worked alongside Hirose in establishing Tenpozan and in training young potters in the art of “Oni” Hagi which utilizes a rough textured clay and a milky translucent glaze. Bowls made using this technique display...

A broad, tapered silver bracelet with six links, showing pierced decoration in repousse, featuring a dragon and different figural scenes. No mark, but silver tested. Condition: few traces of usage. Dimension: internal diameter: c. 5.5 cm to 6.4 cm, 5.3 cm broad, weight: 100 g.

A Large/Rare/Fine Korean Copper-Red/Bue Hae-Tae Water Dropper-19th C.: Korea, Joseon dynasty, late 19th century. An unusual large carved in the form of Hae-Tae (sea lion) with curling tail and hairs, its open round jaw forming the spout, decorated in coppter-red on the mane, and in blue on the ears, its neck wearing a large neck belt with bell, the body glazed thick white with slight tinges of blue, unglazed on the flat base. It’s in very fine condition without any repairs or cracks. It...

Width approximately 31.5 cm. Height approximately 39.5 cm. There is one part of broken on the bottom. There is one part repaired at the bottom. More pictures are available. In good condition.

Korean blue and white porcelain water dropper in a squared form. The top surface adorned with cobalt blue underglaze landscape scene of mountains and boats and its sides with cobalt blue geometric motifs. The piece stands on four L shaped feet. With old crazing.

Dimensions: 2 1/2" x 2 3/4" x 1 6/8" H

Among popular Japanese symbolic animals are frogs. There are many species of frogs in Japan as a result of flooding rice fields in Japanese agriculture. These creatures are often used in poetry and art, and are sometimes carried by travelers to make sure they return home safely from their journeys. The word "frog" in Japanese means "return" which is why the frog is considered a Japanese lucky animal and seen as good fortune in things returning.

Japanese boxwood carving of a female f...

Japanese five section lacquer inro in the hiramaki-e technique. The low relief gilt lacquer adds depth throughout the landscape composition of pine forest, distant ocean, mountainous terrain, and the famous Uji bridge. The black ground lacquer also shows the use of nashiji gold flecks creating mist and cloud formation. The interior of the compartments are covered with the nashiji gold flecks, resembling a pear skin effect. The ojime bead is of sliver and gold in the form of a laughing face of Ho...

A high grade Japanese Kura samurai saddle detailed in high relief lacquer. The maewa (front arched plate) and shizuwa (rear arched plate) display a lacquer relief carp climbing a waterfall motif. The maewa and shizuwa are connected by two igi (contoured side bands). The igi rest on either side of the horse's spine and serve as the under frame for the leather seat (basen or kura tsubo) and are slotted for stirrup straps (chikara-gawa or gekiso) to pass through. Mounted on custom stand. Signed ...

Japanese Kura samurai saddle in red lacquer, with black and gilt lacquer. The maewa (front arched plate) and shizuwa (rear arched plate) are adorned with a copper inlay flying crane. The red lacquer area surrounding the crane is hand-carved with scrolling vines of flowers and shippo pattern in gilt lacquer. The maewa and shizuwa are connected by two igi (contoured side bands). The igi rest on either side of the horse's spine and serve as the under frame for the leather seat (basen or kura tsubo...