his is a wonderful Japanese Cloisonne lidded bowl, done in the Plique A Jour style. Lidded bowls like this are very difficult to come across. The piece is fairly large in size measuring 4 7/8" across and is 3 1/2" tall. An array of colorful and bright flowers and leaves decorate this exquisite bowl both top and bottom. The enamel is very thick and the decorations appear to have layered over top of the translucent inner layer. . It stands on 3 enameled and silver feet. Tarnished outside rims are ...

A rare work by Sodeisha founding member Yamada Hikaru of a torn vessel engraved with enigmatic characters. It is 18 cm (7 inches) diameter, 26 cm (10 inches) tall and in excellent condition.
Yamada Hikaru (1924-2001), was born into the family of layman potter and priest Yamada Tetsu, and raised in Gifu after the family home was destroyed in the Great Kanto Earthquake. At the age of 20 he entered the Kyoto ceramics research facility, 15 years junior to those who had inspired the great Mi...

The Choraku line of potters began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association. Red Raku chawan are a favorite of tea enthusiasts and seem to have a face for every mood. In the right light they may appear like an amber sunset on the horizon. In another light, like lanterns moving through a misty field. Ak...

A trio of sculptural forms by Takano Moto-o dating from the formative years of modern Japanese crafts at the height of Sodeisha influence in the 1960s. These are being offered as a group for one price. One is distorted, like an apparition, or the world seen through an old pane of glass. The second is like a flute licking back; both in pure white. The third is a square basin with handles decorated with a geometric pattern. The piece on the left in the group photograph is 10 inches (26 cm) tal...

A true Mashiko Chawan by greatest Shoji Hamada with a real beautiful Ameyu glaze, double boxed and originally signed and sealed by the artist.

This treasure was part of the exhibition "The artists who searched for Mingei".

Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English st...

Altar dedicated to Hanuman, the Hindu semi-god, carved in openwork relief to represent Hanuman standing with a martial attitude, carrying a club in his left hand and an uprooted tree in his right hand, and trampling a supine figure, probably a demon. Marble, with traces of red pigments. India, 18th century. Height: 13.7 cm. Abrasion due to age, otherwise very good condition.

Japanese Showa period monochrome green musen shippo wireless cloisonne vase decorated around the circumference with a band of flowers and scrolling foliage executed in layers of stacked enamel. Chrome rims. 8 1/2" high. Post World War II (circa 1945-1960s). Very good overall condition.

Pair Japanese Blue and White Porcelain Soba Noodle Cups, Showa period, early 1900's, 3 1/8" high, 2 5/8" diameter-top rim, with transfered blue design on white, signed on the bottom. The condition is good, some missed glaze spots on the rim.

Japanese Blue and White Soba Noodle Cup, Showa period, late 1800 to early 1900's, 2 3/4" high, 3" diameter-top rim, tapered top and transfered blue design of flying Phoenix Bird among scrolling vines and leaves, unglazed bottom. The condition is good, some sand spots while firing in the kiln.

Four(4) Japanese Imari Porcelain Soba Noodle Cups, Ca. late Edo to early Meiji period, mid 1800's, 2 5/8" high, 4" square-top rim, shaped square top rim with overglaze Comical figures on dark Red divided panels on four(4) sides, underglaze blue flying crane decoration on the bottom enclosed with blue decorative rim on top inside the cup. One(1) cup has one(1) glaze hairline about 1" long, barely visible, and some sand marks while firing in the kiln inside the cups.

A set of five yunomi by Suzuki Osamu enclosed in the original signed wooden box titled Kao no Aru Yunomi. Each cup has a small face on one side, pale glaze covering all but that smiling fellow and the foote. Each cup is 3 inches (8 cm) tall and in fine condition.
Osamu was, along with Kumakura Junkichi, Hikaru Yamada and Yagi Kazuo, one of the founding members of the influential Sodeisha (Crawling Through Mud Association), a group of revolutionary post war ceramic artists whose influenc...

A five prong vajra or dorje. Bronze, with fine reddish green patina. Japan, 18th century. Length: 13 cm. Very good condition.

Jade bi of light green colour, decorated in relief with an elaborate design representing on both sides dragons and chimeras. China, Han Dynasty period. Soil encrustations, with no damage on the design. Diameter: 5.5 cm. Very good condition.

FRAGMENTS OF BUDDHA

Three pieces of incomplete remains of excavated Thai Buddhist statue made of pottery and bronze, as a hair called 'spiral', a hand, and a pedestal. Unidentified age. Hand: approx. 4cm (1.57in), Pedestal: approx. D 14cm (5.51in)


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A beautiful ancient assorted Pyu beads and gold beads spacing necklace from the Pyu Dynasty. The main carnelian rare bead with the motif of a deer and a beautiful mixture of rare beads. Size: 42 cm,16 inches end to end. Age: 100 AD to 500 AD

DESCRIPTION: A fierce pair of Chinese pottery foo dogs, early Qing, 18th/19th C., covered with a heavy green glaze and seated on pedestals. Each bares its teeth ferociously while holding a ball between their front paws as well as in their mouths. Good detail with finely ribbed backs and curled manes. Very good condition. DIMENSIONS: Each approximately 9 ½” high (24 cm) x 5” wide (12.7 cm).

Japanese "Silver 950" marked Jewelry Box with etched design of Imperial Carriage in front of etched design of Mt. Fuji background, mid Showa period, 8 1/2" wide, 5 3/4" deep, 3 1/2" high, original Key included, inside the hinged top lined with red velvet divided tray and red velvet lined on top of Rosewood on the bottom. Beautifully etched and very fine quality of detailed of Imperial Carriage resting on the flowering bushes and Mt. Fuji in the back ground, impressed and etched mark "Silver 95...

Wonderful medium-sized crater bowl, thinly potted of black clay and with glossy black glaze pitted with craters for volcanic moon-like effect, Signed Lovera; James Lovera (American, 1920-2015) modernist potter. Teacher at San Jose State University. James Lovera exhibited at the Crocker Museum in Sacramento in 2006: "Craters of Fire: Ceramics by James Lovera". With original inventory tag.

Age: c. 1990s.

Size: 8.5" Diameter x 5.25" Height