The mask is of dark brown russet lacquer finish and the interior is smoothed lacquered red. The high jaw his two protrusion hooks for strapping the cords, underneath the chin is a vent hole. The mask is fitted with yodare kare of three row of false scale lace and blue silk.

19th Century Edo Period

Size: 6.75" L x 3" W x 8.5" H (12.5" H on stand)

Japanese antique Piggyback string of the baby indigo dye tsutsugaki cotton textile of the meiji era(1868-1910).This is silk Kesa nishijin textile in the age of the meiji era. The material is silk. It has a few thin stains to lining. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition. size:Length:292‡pi114.9inch) width 36.5cm (14.3inch)

Kawase Hasui
Godaido, Matsushima
Size: Approximately 5.75 x 3.75 inches.
Bears the artist's oval seal.
Date: ca. 1930s.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Slight bend at upper right corner.
A rarely seen design.

A superb quality very large pottery figure of a male attendant or official, dating to the earlier Ming Dynasty, 1400-1500 AD.

The figure is placed on a high hexagonal plint and wears a fine two-colour blue and turquoise glazed robe. The unglazed areas have pigmented colors in red, black and white. Finely painted facial details.

The head is attachable as often seen on the largest figures from this period.

The figure holds a blanket under his arm.

Si...

With a sturdy foot firmly grounded, the upper rim of this piece rises and falls, somewhat reminiscent of a mountain path. Combined with the plum blossoms floating on the white background, these elements together suggest balance and harmony.

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Kuro Oribe (as pictured here) with their jet-black glazes and feldspar ornamentation tend toward the minimalistic, abstract; and, some would say, Zen-l...

Orange peel textured black Chawan by Samukawa Seiho I (Yoshikazu 1899-1975) enclosed in the original signed wooden box titled Kishu Yaki Nacchi-guro Chawan. It is 5-1/4 inches (13.5 cm) diameter, 3-1/2 inches (9 cm) tall and in excellent condition.
Born in Osaka in 1900 and raised in Kyoto, Samukawa Seiho I began his apprenticeship in tea ware under Sawada Muneyama in 1919. With a letter of introduction he entered the Aichi Prefectural Ceramics Research Facility in 1927. In 1935 he mov...

A proud form of a fulling block inscribed with a wave pattern in the raw clay of the base and covered in ame-yu glaze by Inoue Toya enclosed in the original signed wooden box. It is 9-1/2 inches (24 cm) tall, 6 inches (15 cm) diameter and in excellent condition.
Inoue Toya (1942-2013), graduated the prestigious Nihon Daigaku in 1966, having spent his student years excavating ancient Karatsu shards and researching their techniques. He apprenticed under the multifaceted potter Nushi Ensai...

Kawase Hasui
Dusk (Twilight) at Ushibori
Size: Dai-oban. Approximately 17.0 x 11.75 inches.
Signed and sealed by the artist.
Date: 1930.
Publisher: Shobisha (acquired original blocks from Kawaguchi and Sakai). A posthumous edition.
Medium: Japanese woodblock print.
Condition: Excellent.

A 19th century (Edo to Meiji periods) gilded bronze branch bearing three golden fruits, each of which opens to reveal a small compartment. It is 19 cm (7-1/2 inches) long, 6 cm (2-1/2 inches) tall and comes enclosed in an age darkened kiri-wood box. Certainly of Buddhist connotations, it likely held some small sweets or incense.

Kawase Hasui
Saishoin, Hirosaki
Size: Oban. Approximately 15.5 x 10.5 inches.
Signed and sealed by the artist.
Date: 1936.
Publisher: Watanabe Shozaburo. Bears the black 6 mm seal, indicating a lifetime edition printed between 1946-1957.
Condition: Excellent front. On the back, two pieces of tape at margins and light toning.

A very rare large antique TIBETAN SWORD with silver, iron and shagreen skin on the sheath. Intricately and beautifully decorated with a Taotie Mask, Deer, Tigers, a Phoenix and a Dragon on one side, while the other has detailed scrolling, foliage and a copper buckle for attaching. Size: L. 19.5", blade alone 14" (L. 49.5 cm., blade alone 36 cm.). RARE Collector's item!

Hand formed copper vase with waves in annealed silver signed on the side and enclosed in the original signed wooden box dating from the 1950s. It is 20 x 15 x 21 cm (8 x 6 x 8 inches) and in excellent condition.

A very bold and distinctive plate by well-known Bizen potter Kaneshige Makoto (Maruyama Kiln). The plate was purchased from an independent exhibition of Kaneshige’s early works close to 40 years ago and, following a accidental break, was skillfully repaired with gold joinery, or what is known as “kintsugi” in Japanese. Stemming from the philosophy of wabi-sabi or, beauty in the imperfect, cracks and repairs in a work of pottery are often seen as highlighting the history of the object and a...

Old poster of a man offering a bouquet of flowers to two girls. Size: 75.3cm X 52.6cm. Condition: Very good. Some minor tears at the bottom edges.

Lovely late Meiji Period C.1890 Imari hand painted ceramic vase. One side has phoenix and ikebana flowers, the other side a hawk and more flowers painted in great detail. Colors from natural pigment glazes. Great patina. Top lid has amythical shishi lion. Perfect condition. 32" tall by 13" diameter. Ask for shipping quote.

Takahashi Shotei (1871-1945)
Evening Glow at Sakawa Bridge
Date: Pre-1936.
Size: Mitsugiri-ban. Approximately 15.25 x 6.75 inches.
Publisher: Watanabe Shozaburo.
Reference: M-9 in Shotei catalog.
"Made in Japan" stamped on verso.
Condition: Very good. Upper left corner has crease.

Japanese cigarette case, damascened with silver and gold on steel, c 1930's. Decoration in Komai style of a temple gate, pagodas and Mt Fuji. The back with a Fukui mark under butterfly and 24K. In addition two marks resembling stylized birds’ wings on a sgraffito ground. Width "3 ¾ / 9,2 cm, height "3 ¼ / 8,2 cm. Condition: some wear to the black surface, otherwise fine (cf pics).

A rare WOODEN HAND CARVED BURMESE SHAN STATE BUDDHA SEATED ON AN ELEPHANT THRONE, 19th Century, Burma, with aged matt lacquer and traces of Gold. Fine Natural formed Patina. 3 Elephants carrying this fine Buddha seated in Padmasana position with right hand in earth touching Mudra. The iconic use of the elephant throne, adopted by the Shan People and in other parts of Burma as well, beginning in the 16th Century, is believed to originate in India, where the God of Rain INDRA is depicted carried b...