Very refined earthenware vase, from the Satsuma kilns, with polychrome enamels, presents a decoration of courtesans (bijin) and a child under a flowering tree with on one side, in the background, a cottage at the foot of a hill. At the base of the collar, the shoulder is covered with chrysanthemum flowers. A barely legible mark under the base in a red lacquer cartouche, partly covered by a collector's label, could be attributed to Fujan (?). Height: 15 cm. Period: Meiji (1868-1912) 19/20th.

Small rectangular box and cover. The core of the box made of wood covered in brown textured lacquer on the outside and red lacquer on the inside. The top of the kiri-wood cover is decorated on the outside with the fruit of a hozuki (Chinese lantern plant) in kiji makie technique (applying makie lacquer decoration to natural wood). The fruit is bright red takamakie, while the husk of the fruit is done in gradating red and gold takamakie. The cover shows a thin crack that has been beautifully rest...

Three Chinese snuff bottles made of porcelain, painted in underglaze blue, one with little underglaze red accentuations. The small one decorated with fishes among seaweed, the stopper made of jade-imitating glass. The cylindrical bottles painted with a court scene or deers in a landscape, the stoppers made of tiger eye stone. All have bone spoons. Condition: the one with the fishes having a rim chip, the other two with kiln flaws, the court scene one with two losses of the glaze, the other one w...

A Japanese painting of a pair of songbirds perched atop a Peony Tree. Mounted single panel using a colored Sumie technique. Silk bordered on a silver leaf background.

Age: Taisho Period (1912-1926)

Dimensions: 70" High by 28 5/8" Wide

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted in rather exaggerated fashion. This particular composition seems unique among Oribe pieces I have encountered over the years in terms of its ...

Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

A lovely work reflecting the simplicity of Art Deco predominant from the 1920s and 30s by master of the genre Ito Suito enclosed in the original signed wooden box The vase is 29 cm (11-1/2 inches) tall and in excellent condition.
Ito Suito (Yoshiharu, 1894-1980) was born in Kyoto and apprenticed under Ito Tozan in 1911. In 1918 he married his daughter, and took the family name and at the same time assumed the name Suito. In 1929 he was first exhibited at the Teiten National Exhibition...

A Fushina (Fujina) yaki image of the three monkeys made to support the Kettle lid in the Japanese Tea Ceremony dating from the Edo period. A warning to all, the little creatures hear nothing, see nothing and speak nothing. What happens in the tea room, stays in the tea room! The figure is 4.5 cm (roughly 2 inches) diameter the same height and in excellent condition. Impressed into the base is the Rakuzan seal. It comes in an antique woven thread pouch.
Rakuzan pottery falls under the umb...

Hanten with sashiko and mending patches which is from Shonai region in Yamagata prefecture. It is made of many indigo dye cotton fragments as cotton was precious in regions with cold climate. It has beautiful vegetable indigo faded and worn-out parts. The first half of the 20th century. W:85cm, L:90cm

Burmese wooden lotus Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base with gilded gold.

Age: Burma, Mandalay Period, 19th Century
Size: Height 21 C.M. / Width 12 C.M. / Depth 6.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Chinese Qing dynasty Kangxi marked baluster form cabinet vase densely decorated in underglaze blue on a white porcelain ground with four vertical rectangular landscape panels surrounded by a background of flowers floating on water. Geometric bands at the top rim. Slightly flared base and unglazed stepped foot. A robust and well executed six-character kaishu Kangxi period mark in a double ring is on the glazed base. 6 3/4" high. Possibly of the period and no later than circa 1900. Very good...

Gargoyle or bat-like dragon-esque creatures spread their wings among tendrils of flame on the heavily decorated blue sides of this large pair of 19th century Sometsuke Japanese nesting bowls. Within boats ply the placid waters. The larger bowl is 24.5 cm (just less than 10 inches) diameter,10cm (4 inches) tall. The smaller is 21 cm diameter, 10cm tall and both are in excellent condition, dating from the 19th century.

Wow! Here is a radical piece from deep in the embers of Sugimoto Sadamitsu enclosed in the original signed wooden box titled simply Iga Hanaire. It is utterly simplistic in form with dramatic and complex kiln effect born from placement and the inferno. The vase is 26.5 cm (10-1/2 inches) tall, 12.5 cm (5 inches) diameter and in excellent condition.
Sugimoto Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu established his own kiln at 33, receiving t...

This is an 18th century, or early 19th century Balinese iron buckle, decorated with serpent motifs with gold inlay. There is some age-related rubbing with associated loss to the inlay, as would be expected. There is an inlaid calligraphic inscription to the back of the "fastener," which I have not had translated. The pieces measure, variously, 2-5/8" X 2-1/2" for the buckle, and 2-1/2" X 1-1/2" for the "fastener." The listing is for both pieces.

Large Chinese jardiniere with a rich dark green glaze with a dragon, a rooster, two deer, and the Shou character for longevity. In pristine condition, it measures 7" high x 9" diameter. Dates 1850 or earlier

Presented is a large Jardiniere (1 of 2 offered) of a rustic but well known and designed theme of a dragon, phoenix, rooster, and peony. The dark green glaze is well aged and in pristine condition for this mid-19th century or earlier artifact of interest. This Jardiniere is from Guandong Province and is the highly sought after and collectible Shiwan (Shekwan, Cantonese) and is getting very difficult to find; please contact us if you desire the pair for a different price and offer. It measures 7...

A wonderful bronze opium or cigarette set inlaid with green enamel that accentuates the fine details of fish, lotus, butterflies and flowers. The box is lined with the original wood insert, which is extremely rare to find intact. All items has footed feet with blue enamel. Condition is excellent, save the tray that has a slight wavy rim to one side and minor enamel loss to a couple of the feet, which does not detract from the beauty of this rare set. Box measures 4.25" x 3 1/8" x 1.75", Holder...

Fine Burmese silver box, lid decorated with a male figure surrounded by floral design in high relief descending by geometric design, all 8 sides are also decorated with two female figures and animal cartuches and the base containing calligraphy, late 19th/ early 20th century period. Size; Measurements of silver box are 3.75"L x 2.75"D x 3"H. Condition Report; Excellent condition.