One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise cannot be confined to one narrow genre—as he often integrates non-traditional methods and materials. Born in the town of Tokonmae in 1938, from a young age he studied potting—a staple of the local economy—and later went on to do independent research, open his own kiln, travel widely participating in international conferences and workshops, and finally to bec...

Description: A magnificent stone head of Louhan( or Lokapala ) was from 13th century. Unearthed from a relics of a temple near Shichuan, this head piece was preserved very well with original red mineral pigment and gold leaf. In an awesome facial expression, the Budhist saint was rendered finely in the features and showing a strong form that was unusually seen in the Chinese traditional sculptures. A custom made black marble stand was included. Date: Southern Song to Yuan Dynasty(12th-13th Cent...

This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the handles are of Chinese origin and represent the mythical "Chiwen" (Shichihoko in Japanese). This deity, typically depicted with the body of a carp, the head of a tiger, and the scales of a dragon, is believed to be a bringer of rain and a protector against fire. The outer ring of the foot is...

Very rare Crowned AMARAPURA Buddha in Royal Attire subduing Mara, gilded wood with lacquer on red patina, finely coloured glass-mirror inlays which point to the early Konbaung Period (1752-1885). The back of the Throne has a niche (opening) used for relics. Condition: good, some fissures due to age which adds character to this absolutely stunning and important collector's item, size H.55cm x W. 26cm x D. 22cm

Description:

2023 is the Year of Hare in Chinese Lunar Calendar.
Here is an ancient marble weight which was carved as a hare in crouching posture.
It was believed being used as a stone weight in 6th century to 9th century.
Well carved in vivid look, the piece was left on the suface with ancient residues in the crevices of the limbs.
The stone quality was in greasy and smooth feel.
It was well preserved despite some defects on four corners of the base.

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Description:

A marble scholar water basin was preserved in perfect condition.
Well hollowed, the water basin was in nice oval and flat form.
Some ink residue was left inside the basin.

Date: Qing Dynasty, 19th century,

Body Width: 10.5cm

A marine ivory okimono, depicting a Ryu dragon fleeing upwards into the clouds passing under the arm of a character sitting on the tatami. Signature 'Gekko (?) tō' 月古かたな engraved under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 20 x 8 x 6 cm. State of conservation: Very good

A very decorative, marked tripod form bronze censer with irregular gilt splashed throughout the body and along the handles, and a Mark in relief. Nineteenth century or earlier. Diameter : 11,3 cm. H : 5,4 cm.

From our Southeast Asia Collection, a massive Indonesian teak wood carved panel executed in high-relief, depicting a scene from the Ramayana.

Indonesia, like Burma, has a long standing and very accomplished woodcarving tradition where generations of craftsmen have been producing great woodwork for decades. This particular piece is especially large and animated with great depth to the carving, and makes for a very dramatic statement in any room where it is displayed.

Size and Con...

A massive white glazed porcelain vase decorated with gourds, grapes, pomegranates and other auspicious motifs in high relief techniques. A six characters "Daqing Guanxu Nianzhi" seal mark is inscribed on the shoulder, and of the period. Condition: losses; minor kiln faults. Please see all photos including additional photos on a separate page for condition details. Height: 23".

From our Southeast Asia Collection, a large and absolutely stunning masterpiece of Annamese mother of pearl inlay work, 19th Century, Nguyen Dynasty Vietnam, depicting exquisitely rendered butterflies, flowers, crustaceans, scrolls, and geometric designs in superb quality mother of pearl inlaid against a dark brown rosewood base.

This fantastic tray truly represents the pinnacle of this art form. We have been fortunate to see the pieces held in the National Museum of Vietnamese History in...

DUE TO RECENTLY ANNOUNCED CHANGES, AND FURTHER PROPOSED CHANGES THAT HAVE NOT YET BEEN FULLY IMPLEMENTED OR PROMULGATED BY THE US GOVERNMENT, IT IS NOT CLEAR TO US AND MOST ANTIQUE IVORY DEALERS, EXACTLY WHERE (WHAT JURISDICTIONS), TO WHOM, UNDER WHAT CIRCUMSTANCES, AND WHAT TYPE OF NEW PERMITS MIGHT BE REQUIRED FOR US TO CONTINUE MARKETING ANY OF OUR ANTIQUE IVORY PIECES FOR SALE. PLEASE CHECK BACK WITH US IN JULY OR AUGUST AFTER THE NEW RULES AND GUIDELINES ARE SUPPOSED TO HAVE BEEN MORE FUL...

Description:
A wood sitting figure was well rendered by master craftsmanship.
Preserved in perfect condition, this wood piece was left some moth holes on the surface due to age.

Date:19th Century.

Height :29cm.

A cotton box is included.

It is really a museum-class piece.

Qi-Liang was originally a member of a elite painter's group " Fifth Moon Group"
68cm x 61cm in frame.

Raised, undulating ridges on a field of cobalt blue highlighted with white slip and bronze flecks around the rim, this piece conjures images of the deep and stormy sea or possibly of the vast swirling cosmos. Conceived by 20th century master Kawai Kanjiro (1890 - 1966), the combination of “gosu” and “doro hakeme” used in the creation of this work is one of his most sought after motifs.

Like so many great artists throughout history, Kanjiro refused to confine himself to one g...

An awe-inspiring masterpiece, this tea bowl by Kakurezaki showcases his unparalleled skill and artistic vision. Crafted with meticulous precision, the bowl seamlessly blends traditional Japanese ceramic techniques with a contemporary touch. The angled sides of the bowl's form invites the hand to explore it, while its carefully crafted texture offers a tactile experience that connects the user with the raw beauty of the clay. The ash glaze, expertly applied, flows gracefully along the...

Comprising a censer, 2 vases and 4 cabdlesticks. The censer and the two candlesticks in the center belong together, the other items were matched. H. Between 18 and 21 cm. Condition: the censer and the two candlesticks in the center are in a very good condition, even the separate handles of the censer are intact. The other two candlesticks and one of the vases have repairs to the corners. This set came from a Dutch private collection and was brought together in Beijing in the nineties. Qing Dynas...

Antique Japanese men’s silk juban, an undergarment worn under a kimono. The dimensions: 51 ½” across and 53” from shoulder to bottom hem.