ABSTRACT

Oil painting on canvas by Toyoko Okumura (1939- ), Japan. approx. 65.5 x 53.3 x 2.5cm (25.78 x 20.98 x 0.98in).


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ABSTRACT

Oil painting on canvas by a Japanese painter, Toyoko Okumura (1939-), 24 x 33.3 x 1.5 cm (9.44 x 13.11 x 0.59in)

More her works, https://hotoke-antiques.com/toyoko-okumura/


selected by hotoke




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under ...

ABSTRACT

Oil painting on canvas by a Japanese painter, Toyoko Okumura (1939-), 14 x 18 x 2 cm (5.51 x 7.08 x 0.78in)

More her works, https://hotoke-antiques.com/toyoko-okumura/


selected by hotoke




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any c...

A striking abstract work in red on silver over textured washi paper embedded with strands of tatami mat by revolutionary artist Hori Kosai signed ‘91 Hori. It is 13 x 23 cm (5 x 9 inches) mounted floating in a modern frame, pigments on hand-made Washi paper. Here is an opportunity to acquire an important abstract Japanese artist as yet entirely unexplored in the west.
Hori Kosai (b. 1947) is a contemporary artist and Lithographer from Toyama prefecture living in Tokyo. He entered the ...

A pair of lacquered iron abumi (Japanese stirrups) decorated in fine gold and nashiji (pear skin) lacquer on a roiro urushi, black lacquer ground. Each carries a Tokugawa aoi crest (three hollyhock leaves in a circle) within scrolling leaf background, the bottom constructed with wood pieces within an iron frame which made it lighter, thus gave a better control. Edo period (17th/18th century).  9" high, 5 1/4" wide.

Decorated with parrot in the form of a human, seated at the end of the handle, holding a rope in both hands.

Age: Burmese, Early 20th century.
Measurement: Total Height 27.5 C.M. (Height excluding stand 17.5 C.M.)
Length 29.5 C.M.
Condition: With aged crack and natural wears. Please refer to the enlargement photos for more details.
Shipping: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

From our Southeast Asia Collection, this is the second offering from our four-part series of Burmese Hyper-Realism Masterpieces executed in charcoal. From a technical perspective, these are some of the most extraordinarily realistic renditions in charcoal that we have ever seen, from any culture and from any time period. The artistic talent reflected in the creation of these works is really nothing short of amazing, especially when considering the inherent limitations of working in charcoal comp...

From our Southeast Asia Collection, this is the fourth and last offering from our four-part series of Burmese Hyper-Realism Masterpieces executed in charcoal. From a technical perspective, these are some of the most extraordinarily realistic renditions in charcoal that we have ever seen, from any culture and from any time period. The artistic talent reflected in the creation of these works is really nothing short of amazing, especially when considering the inherent limitations of working in char...

From our Southeast Asia Collection, this is the third offering from our four-part series of Burmese Hyper-Realism Masterpieces executed in charcoal. From a technical perspective, these are some of the most extraordinarily realistic renditions in charcoal that we have ever seen, from any culture and from any time period. The artistic talent reflected in the creation of these works is really nothing short of amazing, especially when considering the inherent limitations of working in charcoal compa...

From our Southeast Asia Collection, this is the first offering from our four-part series of Burmese Hyper-Realism Masterpieces executed in charcoal. From a technical perspective, these are some of the most extraordinarily realistic renditions in charcoal that we have ever seen, from any culture and from any time period. The artistic talent reflected in the creation of these works is really nothing short of amazing, especially when considering the inherent limitations of working in charcoal com...

From our Southeast Asia Collection, a small but fine Burmese ink on palm leaf sutra with thayo embossed wood covers, depicting Buddha under the Bodhi Tree of Enlightenment flanked by two adorants in the center medallion, then encircled by disciples and zoomorphic entities in the surrounding images. The reverse side contains sutra writings in Burmese script, not yet translated. Overall workmanship is quite fine with great attention to detail, reflecting the devotion, reverence, and skill of the c...

From our Southeast Asia Collection, a lacquerware masterpiece from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223. We had the honor, privilege, and education of watching artisans in this famous lacquer workshop creating modern masterpieces in the yun style, an extremely labor intensive craft where ...

From our Southeast Asia Collection, a contemporary but very beautiful Burmese shwei-zawa wall hanging from Pagan, Burma, executed in brilliant gold leaf against a shiny black lacquer ground. The scene depicted is most likely something from the Jataka Tales (the stories of the previous lives of the Buddha), though we are not positive which exact scene is being portrayed. Nevertheless, this is a very fine and strikingly attractive example, and for those who understand how shwei-zawa work is crea...

From our Shipwreck Porcelain Collection, a good teacup and saucer ex-Sotheby's, from the Ca Mau Cargo, Yongzheng Period (1723-1735), executed in the "Tu Hai" pattern in underglaze blue.

This particular teacup and saucer is a very good example that somehow managed to survive over two centuries under the sea, essentially unscathed. Shipwreck porcelain comes off the sea floor in a wide variety of conditions, with many pieces utterly destroyed, others cracked and chipped, others whole but enc...

A Cambodian, brown glaze lime-pot in the form of an owl with molded beak, eyes and tail. Age:,circa. 12-13th Century, Bayon Period. Apart from chip on base, it is in overall good condition. High resolution images may be emailed on request.

A beautifully carved and gilt boxwood figure of Guan Yin / Guanyin. The goddess is holding the holy Buddhist scripture and has placed her hand between the open pages. China, Republic period, c 1920. The surface of the carving is covered with a thin layer of red that mixes with the gilt. The figure can be fixed to an oval wooden stand. Height (the stand not included) "4 ¾ / 12.3 cm. Condition: fine.

A finely carved Chinese wood emaciated monk; skeletal figure with a kindly spirited realized expression. H: 5” with some cracking. $65.00

A small bronze figure of a rat. Qianlong period ( 1736 - 1795 ) L : 9,4 cm. H : 6,3 cm. Condition : Perfect. The style of this small rat figure was clearly inspired by the rat head which was one of the twelve animals of the Chinese zodiac created by the Italian Jesuit missionary Giuseppe Castiglione for the Qianlong Emperor in the mid-eighteenth century.( Please have a look at the last image ) They were originally part of a rococco clepsydra, or water clock. Though of Western design, the ...