Fantastic execution of the Shino pottery style in the form of a bold and attractive Henko vase. The feldspar glazing and visually captivating red scorch marks serve as a backdrop for several attractive and well placed kiln effects—overall an exceptional piece by this artist.

Ando Hidetake was born the third generation of a Mino pottery family in Gifu prefecture in 1938. He began as an apprenticeship under Kato Tokuro in 1960. A testament to his skill, he was accepted for the first...

Description: A beautiful shipwrecked late Southern Song longquan celadon dish with its charming glaze was kept in very good condition except some glaze friction on the rim. With olive green tint and evenly-applied crackles, this ancient plate yielded a classic atmosphere.Date: Southern Song (AD 12th-13th century) Width: 11.5cm

A huge stone head of Northern Song Dynasty was well presented.

Date:Northern Song Dynasty, 12th Century.

Height including stand:53cm.

Height without stand: 38cm.

From our Indian Subcontinent Collection, a beautiful vintage Indian silk sari executed in a rich and lively multi-colored palette. The central panel uses purple and red silks along with gold thread woven into elaborate floral and geometric designs, and the borders use blue and green silks along with gold thread as well.

Size and Condition: This is a tremendous piece measuring 196 inches (16 1/3 feet) long, and 43 1/2 inches (3 1/2 feet) wide. Due to its size it is rather cumbersome t...

From our Indian Subcontinent Collection, a beautiful vintage Indian silk sari executed in a rich fuscia colored silk and using silver threads woven into floral and geometric motifs.

Size and Condition: This is a tremendous piece measuring 179 inches (15 feet) long and 44 inches (3 1/2 feet) wide. Due to its size it is rather cumbersome to photograph, and so the photos are showing the piece folded and at only a fraction of its actual size. But the sections photographed are fully repr...

From our Chinese Monochrome Collection, a beautiful white porcelain Guanyin, Goddess of Compassion and Mercy, executed in the style of early 20th century slip-cast blanc de chine from Dehua, but actually a later vintage-era white porcelain example from Jingdezhen in Jiangxi Province. (Among other things, the difference here rests in the nature of the underlying porcelain paste, which to novice eyes may be difficult to discern, but to our eyes is clearly not true blanc de chine.) Nevertheless, s...

A wood panel was well framed as a hanging piece.
The panel was carved in high-relief with a scenery exemplifying the well-wished Chinese metaphor-家有吉象The Family with Good Life .

Date: Qing Dynasty. 18th/19th century.

Dimensions : 24.2cm x 19.5cm

A beautiful floral vase was in perfect condition.
Width :11.7cm , Height : 10.3cm
Date, Jin Dynasty, 12th century.

Description:
A beautiful Ewer pot was well glazed in yellowish slip.
In nice profile, the Ewer was well potted in decent form.
Fine crackles were yielded due to age.
Some abrasions were found on the surface and at the foot base.

Date: Tang Dynasty, 10 Century.

Height:19.5cm

A Custom-Made Cotton Box is Included.

Height: 13cm

Overall in good condition, except some frets on the edges of the glaze and on the mouth-rim.
Egg-shell thin mold body, delicate and elegant, a very rare piece to survive in the history.
A Custom-Made Cotton Box is Included.

A beauty and exquisite Southern Song Dynasty Qingbai jar with an original lid, pristine glaze condition near excellent, decorated with ribs to the body among incised petal scrolls to the shoulder and lower part. Condition is perfect. Height maximum: 11,5 cm.

Made from ferrous rich Bizen clay covered in an ashen feldspar glaze, this non-conventional Shino tea bowl is a variety known as “Beni” or crimson red. Distinctively modern yet emanating a primal vitality, the form harkens back to the very origins of ceramic exploration in Japan. The influence of Momoyama potters and greats such as Koetsu can be seen in the dynamic edges of the clay body.

Though female potters have constituted a small minority throughout the history of Japans p...

A Small Famille Rose Benjarong Cosmetic Pot and Cover. The ribbed vessel decorated with various butterflies flying among flowers. Chinese 19thC. Height; 2 7/8″ (7.5 cm) Condition; fritting to the rim of the cover

It was stringed as a hanging piece with charming look.

Height :4.5cm

A veteran of Bizen pottery, Mori Tōgaku has been perfecting his style for close to seven decades now with most of his important work having been done in the last 35 years. Using a self-built large climbing kiln measuring 53 meters—one of the largest of its kind—he utilizes a number of interesting techniques including mixing different types of clay into one work to produce pieces like the mizusashi (fresh water jar) shown here. With an unmatched ability to keep his designs fresh and interest...

First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft.

With its well-proportioned ridged design, natural ash glaze, and coarse grade of Bizen clay still containing visible stones; the vessel seen here would be a good choice for someone ...

Elegantly balanced on a slenderly proportioned foot, this piece by Bizen native Kondo Masahiko displays a surprising level of skill for a potter still in the process of making a name for himself. With swirling ash glaze and a dazzling ceramic landscape, this piece is perfect for tea practitioners and collectors alike.

Born in Okayama prefecture in 1971, Kondo fashions his Bizen pieces in a traditional wood-fired kiln in the township of Ushimado. Especially competent with...

A beautiful example of modern Bizen-ware—with a thick feldspar glaze partially covering the clay body allowing the natural ash glaze underneath to show through in areas. This piece along with others by the same artist tend to push the bounds of what you usually see in Bizen pottery.

The craftsman who made this piece, Takahiro Ishii, was born in Tokyo, and, after studying ceramics for a number of years, he moved to Bizen to become a ceramics teacher and later opened his own kiln. H...