Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) on a base.

Age: Burma, Early Shan Period, Early 17th Century
Measurement: Height 31.5 C.M. / Width 15.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A pair of beautiful early 20th C. Chinese silver enamel dangling earrings in excellent condition. L：8cm, $325

This is one of the most significant Japanese satsuma pieces ever created. This is a museum piece with fabulous workmanship in combination with a very large size. This bowl truly has a volume 10-20 times bigger than a normal 5 inch Yabu Meizan bowl. It measures 7 inches tall and is 9 ¾ inches wide. It is also heavily made weighing about 4-5 lbs. The bowl features 6 different exquisitely decorated panels in polychrome and gilt. These panels depict people, birds and landscape scenes. The board...

Antique Japanese two section 6ft Mizuya (kitchen tansu) make with Hinoki (cedar) wood, with Keyaki (elm) burl panels. The top section has two sets of sliding doors, one with mesh, all with ornately carved panels across, the lower portion has eight small drawers with beautiful Keyaki burl. The bottom section houses a single shelf behind two large sliding door panels. Its sides are reinforced with horizontal braces. Meiji period (1868-1912)

Size: 71.5" L x 20" W x 67.5" H

Antique Japanese bronze vajra, an important symbol in Vajrayana Buddhism, Hinduism, and Tantra religions. The name vajra means both thunderbolt and diamond, as it is a symbol of brute strength and indestructibility. Its center piece represents the center of the universe with lotus pods blooming outwards to extend the five pronged weapons. The five prongs represent the "Five Poisons" which prevent humanity from reaching enlightenment. The dual ends represent the phenomenal world (Samsara) versus ...

One of the best ever seen Guandong ( South China ) Shiwan ware dishes. Seventeenth Century. Shiwan pieces like this do try to imitate the famous glazes of the Song Dynasty ( mostly the glazes of Jun or Jizhou pieces ). Diameter : 20,3 cm. Condition : Perfect.

Antique Tibetan bronze "Thokcha" amulet of a conch shell. With small loop to be fastened and worn as jewelry. Natural green patina.

18th Century

Size: 2 1/8" L x 1" W

Antique Tibetan bronze double vajra, an important symbol in Vajrayana Buddhism, Hinduism, and Tantra religions. The name vajra means both thunderbolt and diamond, as it is a symbol of brute strength and indestructibility. The double vajra mirrors the outline of a mandala; Its four points represent North, South, East, and West. Its center piece represents the center of the universe with lotus pods blooming outwards to extend the five pronged weapons. The five prongs represent the "Five Poisons" w...

Antique Tibetan bronze figure of the Buddhist deity Kubera, lord of wealth, protector of the physical world. He lounges with piles of gold around him. In one hand he holds a mongoose, the enemy of the Naga (malevolent snake people and guardians to vast treasure), and a sweet morsel in his other. This form of Kubera is very well hand-cast with natural wear and patina.

19th Century

Size: 2.5" L x 2" W x 3"H

A pair of Namasu or small serving bowls in revived Kakiemon style decorated with a depiction of the Seven Sages of the Bamboo Grove in low moulded relief; here represented by just two of them. The Sages were synominous with a hedonistic lifestyle of drinking and poetry. The foliate rims of the dishes are painted with a fuchi beni, iron brown glaze. The central roundel in the well of each bowl is decorated with a Namban or Tojin style figure of a European with a two legged long tailed dog like cr...

Ohara Koson (Shoson)
Three Red Carp, water plant above
Size: Yoko o-tanzaku. Approximately 15.25 x 6.75 inches.
Date: ca. 1920s-1930s. "Paris, August 1939" noted in pencil on the verso in French.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Reference: S39.3 and Watanabe W36-571 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.

This piece features a warm golden crackled glaze with several patches of lighter pigmentation and a number of gold and silver repairs. The inside of the bowl is especially inviting, showing a magnificent patina developed over many decades of use. The outside of the bowl displays Chrysanthemums (Kiku)—long considered an auspicious symbol of longevity and rejuvenation in Japan and used as a family crest for the royal family—and what appear to be Wild Ginger (Aoi hana)—symbolizing protection ...

Antique Tibetan Mala prayer beads, made with beads of conch shell strung on leather cord. Two leather tassels hand from its sides, with beads of white brass, ending with two highly important symbols in Tibetan Buddhism; a Vajra and a bell. Tibetan malas are comprised of 108 beads, used to count the number of times a mantra is recited during meditation. 19th century

Size: 18" total length

A relief gilt moulded lacquered ritual pitcher cup & saucer. It is unusual to find this type of lacquer ware in this design. Age: Pre 1920. Size: Pitcher. H. 20cm. W. 16cm. Cup. H. 9.5cm. Saucer. circumference. 13.5 cm. Condition: No repairs.

Antique Tibetan long, colorful necklace, comprised of many different shapes of beads of amber, turquoise, coral, Dzi beads and silver.

19th century

Size: 23" total length

Antique Chinese western style landscape scroll painting, signed Gao Di Sheng with red chop, with auspicious calligraphy inscription above on a pink background with gold flecks, signed with two red chops.

Size: 17.75" W x 79.5" H (entire scroll) 13" W x 31" H (painting only)

Height approximately 43.5 cm. In good condition.

The jet-black glaze of this cha-ire (tea caddy) nicely highlights the Chrysanthemum flowers (Kiku) adorning the upper surface—long considered auspicious symbols of longevity and rejuvenation in Japan. When first introduced to the island nation during the Nara period (710 – 793 AC), the Japanese Royal Family was fascinated with the Chrysanthemum. Over time, it became the Imperial Family Emblem and during certain eras was generally forbidden to be used by the general public.

In f...