Antique painting depicted a flock of crane and chrysanthemum. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. Edo period. It is attributed to Tosa Mitsusada.

Chrysanthemums have long been prized in China as an elixir of eternal life and longevity, and have been cultivated as medicinal plants since ancient times. It is said that it was brought to Japan from China during the Nara period (8th C.). It seems that various varieties of chrysanthemums wer...

A large antique painting depicted inkwash landscape. A man is fishing in a small boat in the silence. The quiet and peaceful scene are depicted beautifully in rich ink tones. Painted with ink on silk. Signed Tsunenobu and sealed. Edo period. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74). When his father died, Tsunenobu became a pupil of his uncle, and derived elem...

Rarely seen Japanese Haisen Bowl with wonderful gold Makie (Maki-e), made around 1900 during the Meiji Period (1868 - 1912). The wooden-based bowl is coated with high quality Japanese lacquer.

Seashells are molded and hand-painted inside of the bowl by gold Maki-e technique. This type of bowl is called "HAISEN" in Japanese.

Maki-e (蒔絵, literally: sprinkled picture) is Japanese lacquer sprinkled with gold or silver powder as a decoration using a makizutsu or a kebo br...

Two Chinese snuff bottles made of porcelain, both painted in underglaze blue and red. The cylindrical one with figural depiction, the base with Yongzheng mark, but dating to the 19th century, the stopper made of stone with bone spoon. The smaller bottle with a scholar and boys, dating to the 20th century, the stopper and spoon made of metal with coral-imitating top. Condition: the marked one with chip to the footrim and base with hairline. The small one with a tiny rim frit. Dimension: c. 8.5 an...

signed in pencil, titled and numbered 17/200 screenprint in colors on wove paper image: 11¾ by 13¾ in. 209 by 350 mm. Executed in 2000; this impression is number 17 from the edition of 200 plus 20 artist's proofs, published by Serpentine Gallery. NOTE: The print has been cut from the sheet, the edition number, title and signature in pencil are below. The image is in excellent condition. A print from the exact same edition sold at Bonhams auction London for £48,000 in 2022 This is an op...

A Chinese famille verte yellow-ground brush washer, of shallow circular form, robustly potted, the sides very slightly waisted. 13 cms diam. Kangxi mark. Qing dynasty, 19th century. Perfect condition.

A large work of overlapping strips of sheer porcelain by the demanding young female artist Lu Xueyun enclosed in the original signed wooden box. The vessel is made up of overlapping strips of thin porcelain, so thin in fact that light passes easily through it. Her works are truly exquisite, captivating in their frailty. I have been following the artist (known in Japan by the Japanese reading of her name, Ro-san) for nearly 5 years and waiting for the opportunity to introduce her to the outer w...

A hermit under a plum tree. Painted with ink and pigments on silk. Signed Shumei and sealed.

The hermit seems to be relaxing under the plum tree, as if meditating. It is depicted with so much presence that he almost pop off the screen. The soft hair is made with plenty of gofun(which is slightly lost), and the work is beautifully painted in detail, as if we can feel the texture of the skin.

Mori Shumei(1892-1951) was born into a family of priests, he aspired to become a Japanese pai...

Beautiful traditional Chinese brush painting of the Buddha mounted on a beige silk scroll, excellent condition. He is sitting on a lotus throne with his right hand raised in the Shuni mudra symbolizing patience and discipline. There is an apocryphal dating of 1845 Buddha’s Birthday, Daoguang reign and signature of Reqin. Mounted size is L: 203cm/80in and W: 78cm/31in- actual painting size is L:131cm/51in and W: 66cm/26in. Circa last quarter of 20th century.

USA

Vintage Japanese oil painting on canvas, landscape of Usa in Oita prefecture, by Midorikawa Kotaro (1904-1983) as a modern Japanese painter during Taisho-Showa period. Showa 35 (1960). 41.2 x 32 x 2.2 cm (16.22 x 12.59 x 0.86in). Aged deterioration as is as seen.


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Burmese alabaster Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 17th - 18th Century
Size: Height 42.4 C.M. / Width 26.5 C.M. / Depth 16 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese alabaster Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 18th Century
Size: Height 54.8 C.M. / Width 31.4 C.M. / Depth 16.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Buddha in bronze cast with lost wax and gilded with mercury. The walls are very thick, the statuette is heavy. The gilding is original, certainly baked several times to obtain a nice thickness. The reverse of the dress is chiseled with stylized flowers. The base is closed by an incised copper plate of Vajra. The base does not appear to have been opened. The two arm bracelets were originally to have stone beads, today replaced by a colored coating. In the palm of the hand, we can see a hole left ...

A long low basin by Lu Xueyen in translucent white porcelain enclosed in the original signed wooden box titled Enfolding II. It is 21.5 x 38 x 15 cm (8-1/2 x 15 x 6 inches) and is in excellent condition, directly from the artist.
I have been following the diaphanous works of Lu Xueyun (known in Japan by the Japanese reading of her name, Ro-san) for nearly 5 years and waiting for the opportunity to introduce her to the outer world.
Lu Xueyun was born in Chongqing, China in 1987 an...

Antique Japanese large bronze vase in the form of a round lotus leaf. It sits on top of a smaller lotus leaf on a hexagonal base. Each side of the base has birds in relief flying over waves. Likely from a Buddhist temple. The lotus blooming from out of the mud represents enlightenment.

Age: Meiji Period (1868-1912)

Dimensions: 15 1/2" high x 20 1/4" wide

An antique Chinese long low buffet cabinet with a Turquoise distressed finish. Two drawers with doors below each and a center pair of doors opening to a spacious storage area. Professionally restored to a magnificent and functional work of art.

Age: 19th Century

Dimensions: 69 3/4" Wide by 23 1/4" High by 17 3/4" Deep

A Chinese Blue and White Miniature Guan Jar. Circa, 1368-1644, Ming Dynasty. Found in the Philippines. Its tapering body is horizontally joined in two sections with a bordering underglaze decoration of acanthus leaves running along its shoulders and panels above its foot. Its base is fully unglazed. Measurements: height (2.5"inches). Condition: in perfect condition. Photos by: The Oriental Room® Feel free to contact me at theorientalroomph@gmail.com for further inquiries, pr...

Vintage clear cloisonné lidded box, employing the plique-a-jour technique, lovely muted pastel colors with a “pierced” lid, most likely meant to be a potpourri to put scented herbs and flower petals in. This is a complicated and time consuming craft- please note that the bottom is cloisonné as well as having some curvature to the lid - it would have been much easier just to give it a copper bottom and making the lid flat. Excellent condition, with no damage or dents- this has some ...