Three(3) Chinese Cabbage Design Jar Top, or Cover for Urn or Vase, 3 3/4" diameter-outer maximum measurement, 3 1/8" diameter-inner rim( your jar opening must be larger than 3 1/8" diameter), 2" high, the condition is good.

Antique Japanese rectangular lacquer stationary box with a large parrot sitting on a corn stock and eyeing an ear of corn. Raised maki-e lacquer in gold and various shades of dark green and brown. The sides are further decorated with more ears of corn (a grasshopper sitting on one). The lacquer work contains great details like the texture of the parrot's feather and the stringy silk of the corn. The large reserve with the parrot and smaller reserves on the sides are treated with a red/orange ...

Beautiful example of an 18th Japanese suzuribako (calligraphy box) made with a gold maki-e lacquer scene of huts near a mountain stream. The interior of the box holds rests for brushes and a compartment for an ink stone as well as a small silver water dropper. The entire inside including the underside of the lid is covered in a lovely dense nashiji (fine gold flakes suspended in clear lacquer) with young pine branches in maki-e lacquer. The larger image on the underside of the lid is of a Jap...

A wonderful mid Edo Period (1603-1868) Hiragata Ao-Oribe Chawan with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife and covered with the typical green copper oxide glaze inside and outside.

The tea bowl is in fine antique condition with no cracks or repairs and comes with a very good Japanese wooden box.

Size: 6 cm height x 15 cm in diameter.

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Tsuchiya Koitsu
Morning Fuji, Lake Kawaguchi, 1936.
Size: Oban. Approximately 16.75 x 11.25 inches.
Publisher: Doi Hangaten. Doi watermark.
Carver: Ikeda. Printer: Onohiko. This seal combination indicates printing between 1948-1950.
Reference: Koitsu catalog no. TK-DH-38.
Medium: Japanese woodblock print.
Condition: A couple of very faint foxing spots in the sky.

A Fine / a quite Large Korean Circular Silver Inlaid Iron Box and Cover-19th C.: Korea, Joseon period, 19th century. This is a large silver inlaid tobacco box with lid, and is round set on three stump feet inlaid on the upright sides with 2 “Double happiness” characters on each opposite side separated by square panels of confronted butterflies and two crossed flags, the slightly domed cover also inlaid in silver with a character “long life” and around with bats. It’s in very good ...

Small, sturdy platter, called ishizara, used as kitchen ware. Gray stoneware decorated with underglaze iron black and cobalt blue tama (sacred jewels) and characters, covered by a creamy, yellowish translucent and finely crackled glaze. Five spurmarks. Mingei.

Seto region, Japan, Edo period, 1800-1850

H 2 x Diam 10.5 in.

Several knicks and chips esp. on the rim edges and a short, old crack commensurate with age and heavy usage. All in all very good condition

From a priva...

The size of Bowl: 6" Dia x 1 3/8" High. This is beautiful and Rare Japanese Old Kutani Bowl from early Meiji, 1870-1890. It is made of fine porcelain. It has the design of Taka (Japanese Hawk), with Fuji Mountain, Pine Tree with the decoration of Karakusa done with gold work, The pine tree are painted with fine brush works. It is not outlined work like commercial painting items. There is Sun or Moon design behind the Hawk. Outside of bowl has cherry blossom leaves with Genji Kou design. The bowl...

The size of Bowl: 6 3/4" Dia x 2 1/4". Japanese Ko Imari Blue and White Porcelain Bowl. The bowl was made solidly and very steady with good fine glazing. The center bowl has Hana-Mon (flower mon) design. The side wall has the design of Momo (peach) Karakusa(Chinese grass) design. Peach is lucky symbol. Outside has Karakusa design. The condition of bowl excellent, no chip, no crack and no hairline, as well as almost none scratch. The double lines inside has the section with weak underglaze. The s...

Large and rustic almost round platter, called ishizara in Japanese, used in kitchens and commoners’ households. Plain light greenish-yellow glaze that typically leaves the foot free. The many pinpoint spots where the glaze did not completely cover the stoneware has allowed dirt to penetrate, giving the surface a lively spotted face. Glaze has dulled over time from constant usage.
Five spurmarks in the center.
Mingei

Seto ware, Japan, Edo period, 1800-1850

H 2.75 x W 14.5 ...

Chawan tea bowl, or perhaps a soup bowl or a mukozuke. Fairly thin stoneware modeled in the shape of a drum with 8 nails (protrusions) along the upper edge that would hold the drum skin in place. Deep green glaze. Eight vertical lines engraved and filled in with gold.

A triangular shape is cut out of the foot by way of a potter’s mark. In the center of the bottom a round Raku seal impressed.

Raku ware, Kyoto, Japan, first half 19th century

H 3.75 x Diam at widest point 4.5 i...

The size of Bowl: 7 1/2" Dia x 3 1/8" High. Most unusual and attractive Japanese Ko Imari Sometsuke Porcelain Bowl. The bowl is made from fine quality porcelain as well as the fine glazing. It has pretty design of Shiranuki design and flower design outside which used blank area with nice contrast. Shiranuki Design is special work on the design with blue background where white design area has the blue underglaze knocked out. Inside has very intricately painted Senbiki(lineworks) flower design wit...

Rare phallic charm from Lamphun Northern Thailand- serendipitously enough, where they have an annual sausage festival. Originally these were worn by men at the waist and were thought to protect the wearer from any harm to his penis and in a more general sense they also are believed to bring luck especially in terms of “wealth generating or protection”, so a woman might keep one in her cash box to increase your money flow or in her purse to prevent it being “snatched”. These have their or...

Ruby red Beijing glass, Qing Dynasty snuff bottle. The neck has an old silver repair. H: 7.8cm/3in and W: 6cm/2.3in.Free shipping.

Hiroshi Yoshida
Hirosaki Castle
Series: Eight Scenes of Cherry Blossoms
Date: 1935.
Size: Oban. Approximately 15.75 x 10.5 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating a first edition self-printed by the artist.
Medium: Japanese woodblock print.
Reference: Abe catalog #192.
Condition: Pencil note at top margin. Paper lightly toned.

A Japanese gold lacquered wood incense tray (kobon) worked in hiramaki-e and Shibayama inlaid with polychrome mother-of-pearl and horn. depicting a wildlife scene of a pair of pheasants near a stream and a peony plant with swallows in flight. Nashiji ground at the back. Meiji period 19th century Sizes: 20 × 15 × 1 cm. Condition report: Good condition – structure a little crooked

Overlapping crescents in pale colors decorate the textured white clay of this tall vase by Kamoda Taro enclosed in the original signed wooden box dated 1989 and titled Kaku (With Corners). It is 12 x 15.5 x 32 cm (5 x 6 x 12-1/2 inches) and in excellent condition, hand signed on the base in a colorful cartouche.
Kamoda Taro was born in Mashiko the eldest son of legendary ceramic artist Kamoda Shoji. The day to day of the family kiln was forced upon him with the early death of his father...

An antique pair of Japanese Fusuma doors made of Hinoki (Cypress) and Sugi (Cryptomeria) woods. Natural Urushi lacquer frame and hand painted design of Bamboo trees on one side and Pine trees with Bamboo on the opposite side. Bamboo symbolized tenacity and perseverance while the Pine tree represented a long life making these doors auspicious and full of good luck.

Age: Meiji Period (1880-1890)

Dimensions: Each 35 1/2" Wide by 71 1/2" High.