A japanese antique natural indigo dyed cotton tsutsugaki furoshiki from the Edo period.（1800-1867) This family crest is rare. It's thick, and this cotton is hand-spun. This one has some stains on the white part. There is a small hole here, but there is no big damage. Since this was used to wrap things, there is a part where the cloth is slightly stretched. Size::length 140cm x 130cm (55.1" x 51.1")

Chirimen (crepe) silk kimono imprinted with Okinawa bingata design of irregular bands of flowers and plants of the seasons, in roundels, on waves, on vines etc. The outlines and basic forms are in brown, ochre and brown-red, while the flowers and leaves are colored in the red, yellow, green, and purple. Along the bottom is a band of stylized waves in red and brown.

On the inside white silk or rayon lining in top half...

Large furoshiki made of hand-spun cotton with tsutsugaki design which are auspicious motifs, such as fukura suzume (sparrow), bamboo, pine tree. plum flower and scrolls. Vegetable indigo and natural brown dye. In good condition except for some brown color faded parts and a rip (2cm). The second half of the 19th century. 130cm x 140cm

Han-juban (short under kimono) made of plain weave silk and beni-itajime (clamp-board dye) with hand painted Yuzen design. The red dye is chemical which was practiced from Meiji period (late 19th century), after beni-itajime with beni(safflower), practiced in Kyoto in Edo period. The last image is beni-itajime with Yuzen dye. The lining is cotton. In excellent condition...

A silk fukuro obi sash. In jacquard weave with 2 hues of gold-thread and red, green, yellow and brown silk. Clematis meandering upwards against a yellow-golden background, partially obscured by copper-golden stylized flower shapes.

The back of the obi is plain cream-colored silk, as is about 1.5 meters on the front, which would be invisible when wrapped around the body. The last 16.5 inches of the obi seamlessly fit onto the rest of the design.

Japan, Showa era, ca...

TANUKI INCENCE BURNER

Pottery incense burner of raccoon dog with such a kindly face, Taisho period (1912-1926), Japan, approx. H 14.5 x 13.5 x 13cm (5.70 x 5.31 x 5.11in). In well-used condition for long years as seen sooted inner part. Five small chips at upper lid as is...

Pair of 1920's Japanese Gold Wire Cloisonne Vase with Birds & Flowers

They are 6.05 inches (15.4 cm) tall by 2.8 inches (7.1 cm) wide. The total weight is 0.8 Lb.

One vase has enamel bruising. Both have tarnished metal, enamel pitting, and surface wears and scratches (as seen in the photos).

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Kurume kasuri futonji (bedding) with geometric pattern. Kurume kasuri was invented by Inoue Den around 1800, a woman lived in Kurume in Fukuoka prefecture in Kyushu. This futonji is made of hand-spun cotton and vegetable indigo dye. Weaving of Kurume kasuri changed from handloom to machine weaving around 1883, so it may be woven before 1883. In excellent condition Late 19th century. 130cm x 144cm

This is a thick zanshi long boronoragi from the Meiji era. Hand-spun hemp and cotton threads are mixed with thick indigo threads. There is light dirt, but there is no damage. Size: Length: 1 cm (43.3 inches) Cuff to cuff: 122 cm (48 inches)

Antique Japanese surimono woodblock print by Hokkei (1780-1850) entitled "The Chomonju - Snake and Melons". A snake entwined with a tray of melons. The poem above speaks of how the snake will become a dragon which will make clouds of white cherry blossoms in the mountains. Snakes and dragons are closely associated with water. The poems alludes to a wish for rain and the blossoming of Spring.

Dimensions: Unframed: 21.2 cm x 17.7 cm. Framed: 15 1/4" x 15 1/4"

An old Japanese temple lantern made entirely of bronze. Sacred jewel called Hoju is represented in the finial. Hinged door allows access to the interior.

Japanese choba tansu (merchant's chest) with hinged biraki doors. Made of keyaki (zelkova elm) wood with a deep red lacquer finish. The upper portion of the chest has three exterior drawers over the doors which open to reveal a large compartment and four small interior drawers. The lower portion of the chest has two large exterior drawers. Extensive iron hardware includes cross bracing moko shaped drawer pulls, lock plates, and foliate corner brackets...

Antique Japanese small box with 5 drawers. Made all of kiri (paulownia) wood. Drawers of various sizes with two on the left and 3 on the right. The top two drawers are lacquered a deep red on the inside. Hardware with both moko and warabite shape and lock plates of graduating size.

Age: Taisho Period (1912-1926)

Dimensions: 7 1/2" high x 19 1/8" wide x 6 3/4" deep

Antique Japanese small haribako (sewing box). Made with 5 small drawers of various sizes. A hinged lid on top flips up to reveal a tray for storing a pin cushion and sewing supplies. This pulls out to reveal a secret hidden drawer behind it. To the right of this is a flip up holder for the third hand clip. Sakura (Cherry) body and Kuri (Chestnut) wood drawer fronts, Kiri (Paulownia) wood drawer interiors...

A silk fukuro obi sash. On a background of woven gold-thread and cream-colored silk is a repeating diamond-shaped pattern of stylized flowers and feathers in gold-thread brocade and brightly colored silk (orange, yellow, green, blue, red and white).

Woven-in manufacture mark turned inside and obscured by the seam.

Japan, Showa era, ca. 1960s-1990s

L 169 x W 11.75 in. (ca...

One of the extremely rare Raku tea bowls by one of the best artists in the history of Japan, Eiraku Hozen, made during the late Edo Period.

Eiraku's style includes all ceramic techniques of China, Korea and Japan, which were appreciated at that time, such as Cochin, celadon, blue and white porcelain, Raku-yaki, Shunsui, Akae, Kinrande, Jinsei copies and Goryeo copies...

This japanese antique katazome thick noragi is made by splicing together fabrics from the Edo and Taisho periods. The katazome of the Edo period, hand-spun indigo dyed cotton, is very beautiful. Light stains do not stand out. There is one damage on the back. Size:Length:82cm (32.2inch) Cuff to cuff: 122cm 48.0inch)

This is a long thick zanshi cotton boro noragi from the Meiji era. The dark indigo shade is the warp, and the white thread is the weft. Thick hand-spun threads are also mixed in the weft. There are light stains and small holes.Size:Length:125cm (49,2inch) Cuff to cuff, across the back: 125cm(49.2inch)