Kokeshi made by Takahashi Akinori at Takahashi Hashime Studio in Sendai in Miyagi Pref. The body has beautiful urushi design. In excellent condition. 20century. H:37cm Diameter of the bottom:7.5cm

Kawase Hasui
A Yangban (Korean Official)
Date: August 1935 (First and only edition)
Size: Dai-oban. Approximately 17 x 12 inches.
Signed and sealed by the artist.
Publisher: Watanabe Shozaburo.
Reference: Hotei #357.
Medium: Japanese woodblock print.
Condition: Excellent.

Japanese Pipe for smoking, with Brass and Reed, 6" long, 5/8" diameter for tip, in good condition.

This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows nice age—most likely from early Edo.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in a single-chamber anagama style kilns set into the hillsides...

Ito Yuhan
Ukimido at Katada, Lake Biwa
Date: 1930s. Printed 1938-1960s.
Size: Oban. Approximately 16.5 x 11.5 inches.
Publisher: Nishinomiya Yosaku. Bears the publisher's seal in the left margin.
Sealed "Yuhan" in Japanese within the image.
Medium: Japanese woodblock print.
Condition: Excellent.
Note: Nishinomiya Yosaku also operated at times after the 1960s, so there is a possibility that this print was produced from the original blocks after the 1960s.

Large Japanese Keyaki lacquered Hibachi vessel with glitter design.

Hibachi is a traditional Japanese heating device.

Age: Japan, Showa Period, Early 20th Century
Measurement: Height 32 C.M. / Width 51.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Distorted shoe shaped (kutsugata) tea bowl with a flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and its brim. It dates back to the early Edo Period (1603-1868).

It is covered with a very deep black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed and is decorated with two fish nets hung for drying...

Japanese antique old silk yuzen-dye & Tie-dye & beniitajime dye( natural Safflower dyeing) kimono edo era(1800-1867)very rare.It has a few thin stains & discoloration. However,It does not stand out. It is no damage.They are not disturbing, and as a whole it is in very good condition. Sizu: :Length 147cm (57.8inch) sleeve to sleeve 124cm (48.8inch)

Antique Japanese set of 10 imari plates with foliate edges, underglaze motifs of and scrolling vines with gilt accents. The underside features cobalt blue underglaze auspicious objects and a four character signature.

Size: 9.5" W x 1.75" H

Antique Japanese hardwood cha tansu (tea chest) with four tiered shelves for the display of tea ceremony articles such as tea pots, plates, etc. The top right section holds a storage compartment behind two sliding panels, while the lower section holds both a large shelved compartment and a secret hidden drawer. Late Meiji period (1868-1912)

Size: 28.75" L x 10.75" D x 36" H

Silk crepe cloth with beautiful embroidery of wisteria motif which is one of the long sleeves (furisode). The ground cloth is white silk crepe (chirimen) and the embroidery threads are vegetable dye. It has kata-kanoko (stencil-dye pattern) imitating small shibori pattern named kanoko shibori. In excellent condition except for a light brownish line in the center. The first half of the 19th century (late Edo period). 35cm x 190cm

Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bowl...

Antique Japanese kannon biraki tansu of an unusual small size, made of Kiri (paulownia) wood. The front of the chest is covered in ornate iron hardware with studs. The central lock is a motif of Kiri leaves with two door pulls. The doors open to a shelved interior space with two exterior drawers below. All original condition.

Meiji Period (1868 - 1912)

Size: 22.5" L x 15.25" D x 19"H

A Beautiful unusual Japanese display cha dana tansu, with 3 sets of sliding Keyaki burl front panels with copper handle pulls, 11 drawers with iron warabite handles, and an open compartment with shelves for the display of tea ceremony articles. This piece features a secret compartment hidden underneath one of the top panels.

Meiji period (1868-1912) 19th century.

Size: 69.25" L x 14.5" D x 36" H

Reminiscent of the wildly popular avant-garde works of Suzuki Goro, this striking modern interpretation of the classic tokkuri (sake flask) was done by budding artist Ikeda Shogo.

Born in 1976 in the southern port city of Kagoshima on the island of Kyushu, from a young age Ikeda would have been exposed to a great variety of ceramic-wares from the numerous historical kilns native to the region including Satsuma, Arita, Imari, and Karatsu...

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for. This small dish fashioned from coarse clay and covered in a silky ash glaze. Slightly oblong with one edge gracefully arching upwards, both sides of the dish have been traditionally repaired using lacquer and gold...

Ohara Koson (Shoson)
Cockatoo and Pomegranate at Night
Size: Chuban. Approximately 10.5 x 7.25 inches.
Date: ca. 1930.
Publisher: Watanabe Shozaburo.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: AS.27 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.

Using local materials and traditional methods, the creator of this work Masahiko Imanishi, has brought a distinctively modern interpretation to the classical form of the tsutsu chawan. At the same time, he somehow manages to maintain the simple rusticity that Tanba-ware is renowned for. Stretching back over 800 years, Tanba is counted as one of Japan’s 6 ancient kiln sites and is known for making large pots with red ferrous clay and natural ash glazes with a distinctive greenish tinge...