Japanese "Tokugawa" Shogun Clan Mon polished Brass decoration, early 1900's, 2 1/2" diameter, 3/8" deep, with impressed raised design of 3 Hollyhock Crest, 3 small nail holes at the edge. The condition is good.

Two(2) Japanese darkened Copper Fusuma sliding door Handles, early 1900's, 3" high, 2" wide, 1/2" deep, 2 small nail holes on the side on top and bottom, the condition is good.

Two(2) Japanese floral shape darkened Brass Fusuma Sliding Door Handles, early 1900's, 3" diameter, 5/8" to 3/8" deep, 2 nail holes on the sides, some black lacquer on brass are worn, metal part is in good condition.

Very nice 2 Japanese Gilded and Lacquered on Brass Fusuma Sliding Door Handles, early 1900's, 3 1/4" diameter, 1/2" deep, impressed vines design on rounded soft brown Lacquered Brass front with gilded Brass rims, 2 nail holes on the sides, the condition is good, probably used in very elegant and important home in Japan.

Six(6) Japanese Gilded on Copper Hardware fittings, early 1900's, 2" wide, 2 1/4" deep include long nail, loose 3 pieces fit together tight once nailed in place. One of them has old black lacquer finish and most of gilt finish worn off, no missing pieces.

Japanese antique small tansu chest for personal use. Made all of kiri (paulownia) wood. This tansu has 3 large drawers of different sizes and 2 small drawers in the lower right hand corner. Iron hardware includes pierced corner bracing, round lock plate and drawer pulls.

Meiji Period (1868-1912)

Dimensions: 27 1/2" high x 29 3/4" wide x 15 1/4" deep.

A wonderful translucent blue celadon Tobi vase done in the classic style of Longquan Chinese pottery. This piece was made by one of the few great female Japanese potters of the previous century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873...

Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a Tokkuri (Saké flask)...

Reminiscent of a perfectly formed oyster shell or the shell of a hermit crab, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination—influenced heavily by forms he discovered in nature. Described on the box as a “ammonite/ guinomi” (ammonite/ sake cup), Hiramatsu says his inspiration for this piece (and several others) came from an ancient form of sea life known as an ammonite—a large spiraled mollusk who’s shells are often found fossilized today...

Reminiscent of a perfectly formed oyster shell or the shell of a hermit crab, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination—influenced heavily by forms he discovered in nature. Described on the box as a “ammonite/ guinomi” (ammonite/ sake cup), Hiramatsu says his inspiration for this piece (and several others) came from an ancient form of sea life known as an ammonite—a large spiraled mollusk who’s shells are often found fossilized today...

Reminiscent of a perfectly formed oyster shell or the shell of a hermit crab, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination—influenced heavily by forms he discovered in nature...

Bamboo basket container coated with urushi. It is handwoven of bamboo strips and covered with washi (Japanese handmade papaer), and then painted with black urushi. It has a label inside which says "Kataji kawago" which used to be a basket made of bamboo or wicker and covered with deer skin, or covered with washi later. It also says it was made in Ise in Mie Prefecture. It has vegetable indigo dyed washi lining. Generally in good condition but has many parts urushi came off, breaks and wear...

Ohara Koson
Fishing Boats at Sea
Size: Chu-tanzaku. Approximately 14.5 x 5 inches.
Date: ca. pre-1910.
Publisher: Kokkeido.
Artist's signature and seal and publisher's seal at lower right.
Reference: K44.20 and cat. #29 in Crows, Cranes and Camellias: The Natural World of Ohara Koson.
Medium: Japanese woodblock print.
Condition: Excellent.

Japanese Cast Iron Tetsubin, tall Tea Cattle, Tea Pot, Before 1900, early Meiji period, 10 1/2" high include handle, 6 1/2" wide include spout, early cylinder shape, pine cone knob, iron handle has raised design, and some low relief design on the side all around but hard to distinguish...

A dish and cup with a stylised suhama, shore-line, rim decorated in somenishikide style with a pair of lively galloping horses in a sansui, water and rock, landscape, with mountains in the background and a stream in the foreground. The dish dates to the late Mid Edo period, and probably the Meiwa era...

A mukuzuke or serving dish of raised barbed lotus form with a moulded ribbed cavetto decorated in underglaze blue with gilt outlined enamels dating to circa 1740-70. The unusual form of the dish follows Chinese “Ko Sometsuke” precedents of the first half of the 17th century; see “The Peony Pavillion” lot 220 for a Chinese example of the Chongzhen period, where this particular form is considered to have been especially made for the kaiseki meal accompanying the Tea ceremony. The centre ...

Kawase Hasui
Sailboat at Yashima
Date: 1930s
Size: Koban. Approximately 7.75 x 5.25 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-82.
"Made in Japan" stamped on verso. Medium: Japanese woodblock print.
Condition: Very slight toning.

This exceptional tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name “Nami” (wave) by a famous tea master of the Ura-senke school of tea. The Chinese character is not the standard writing for wave but rather one with more nuance, suggesting longevity—as in the image of a long enduring cresting wave...