Japanese scroll painting of skeletons, one dancing and one playing a shamisen. Strewn over the ground are skulls and a giant gourd filled with drink. The calligraphy on the top of the scroll states that even the great sage Boddhidaruma and the beautiful Onna no Komachi are Doitsu Byodo (the same as the rest of us) when their flesh is stripped away...

Japanese scroll painting of two skeletons hard at work counting money. The calligraphy verse up top appears to be influenced by the Confucian scholar, Kameda Bosai and is sealed Gakubutsu. Below, the skeletons pour over accounting ledgers next to a large scale. This painted portion of the scroll is sealed Nisekisai. Painted in sumi-e ink on paper.

Dimensions: 81 1/2" high x 30 3/4" wide (33" wide including rollers). Size of art: 53" high x 26 3/4" wide

Japanese scroll painting of 3 skeletons celebrating Obon. One skeleton dances with a fan while two others pay a drum and a shamisen. The Obon festival happens in summer and is a time to honor the dead with music, dance, parades and other events. It is believed that ancestors' spirits return to the world of the living during Obon. Painted in ink and light colors on silk...

Japanese scroll painting of a ghostly woman standing in a shoji doorway. Her robes are white, the color of death and her hair falls unkept around her shoulders. Tendrils of flame appear where rays of light shine down at an angle to catch on her sleeve. Painted in mineral colors and ink on silk.
Painted by Obata Chiura (1885-1975), painter and first professor of Japanese painting at University of California, Berkeley. Born in Ibara-cho and raised in Sendai, Japan...

Japanese scroll painting of a group of scholarly skeletons. At the top of the image, three skeletons drink tea while viewing scrolls. One skeleton displays a scroll on which the artist has signed his name. Other skeletons enjoy music played on a koto while others play go, paint scrolls and make tea. Painted in sumi-e ink and light colors on paper.

Dimensions: Total size: 78 1/2" high x 26" wide (28 1/4" wide including ends). Size of art: 52" high x 20" wide

Enigmatic scribbling like some message from the past decorates the silver belt circling this white vase by Yamada Hikaru enclosed in the original signed wooden box titled Ginsai Hanaike. It is 20.5 cm (8 inches) tall and in excellent condition.
Yamada Hikaru (1924-2001), was born into the family of layman potter and priest Yamada Tetsu, and raised in Gifu after the family home was destroyed in the Great Kanto Earthquake...

Length: 4.2 cm (1.7 in)
Height: 2.1 cm (0.8 in)
Depth: 3 cm (1.2 in)

Quality Japanese wooden netsuke of a group of three chestnuts; naturalistically modelled with two grubs present, one is articulated; one himatoshi is lined with natural material; good condition

A fine Japanese cloisonne charger featuring a central medallion with a beautiful ho-ho bird, Japanese phoenix, on a goldstone ground. It is in excellent condition and dates late Meiji period, circa 1910. Measures 12 inches diameter.

MAYUDANA 2pc.

Mayudana (or Kaikodana) as sericultural cramped paper bedroom for rearing silkworms, 1960s, Japan, approx. 55 x 40 x 3cm (21.65 x 15.74 x 1.18in) each


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Kawase Hasui
Mt. Fuji Seen From Oshino (Oshino no Fuji)
Size: Oban. Approximately 15.625 x 10.5 inches.
Date: 1942. First edition.
Publisher: Watanabe Shozaburo.
Publisher's "G seal" in right margin (used 1942-45).
Signed and sealed by the artist.
Reference: Hotei #465.
Medium: Japanese woodblock print.
Condition: Excellent.

Tall and massive porcelain vase in the shape of a double gourd, the lower section squared. Decorated in overglaze, traditional Kutani enamels (yellow, blue, green, red, purple and touches of gold) with medallions with thistles, grapes, fruits, butterflies, crickets. On bottom a traditional green square seal: Kutani Masao.

Japan, probably around 2000

H 10 x W 4.75 in.

Mint condition

Miyamoto Masao (b...

BAMBOO BECKONING CAT

Japanese vintage 'Maneki-neko' (https://en.wikipedia.org/wiki/Maneki-neko) made of bamboo as unusually, 1960s, approx. H 23cm x 12 x 12 (9.05 x 4.72 x 4.72in)...

A fabulous Shigaraki Tsubo of austere form blasted with natural ash glaze by Otani Shiro enclosed in the original signed wooden box. A classic work it is 20 cm (8 inches) diameter and in excellent condition.
Otani Shiro was born in Shigaraki in 1936 and graduated the Prefectural School in the ceramics department in 1956, which he followed up with 4 years studying decorating techniques under Morioka Yutaro...

Hasui Kawase
Kasuga Shrine, Nara
Series: Collection of Scenic Views of Japan II, Kansai Edition.
Size: Oban. 15.375 x 10.25 inches.
Date: 1933
Publisher: Watanabe Shozaburo. Publisher's 6mm seal (printed 1946-1957).
Reference: Hotei #317.
Medium: Japanese woodblock print.
Condition: Slight toning. Excellent color.

Graffito scrawls through the silver lining of this fine Chawan by Morino Taimei enclosed in the original signed wooden box. A single dark spot, like a phpotograhic negative of the full moon reflected in water. Outside a wavering line about the foot. The bowl is 12.5 cm diameter, 7.5 cm tall and in perfect condition...

Kawase Hasui
Snow at Koshigaya
Size: Oban. Approximately 15.375 x 10.25 inches.
Date: 1935. First edition.
Publisher: Watanabe Shozaburo. Publisher's "E seal" (used 1932-42) in right margin.
Signed and sealed by the artist.
Reference: Hotei #353
Medium: Japanese woodblock print.
Condition: Slight toning. Bump at tip of lower left margin corner.

Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korean potters brought to the shores of Japan during its colonial expansionism of the late 16th century. A favorite of the Kuroda lords of the time, its production and use was closely guarded until later in the 19th century when the domain system was abolished, freeing it up to be more widely used...

The craftsman who fashioned this piece, the 9th Ohi Chozaimon (1901-1986), is the most widely recognized and most accomplished of the now 11 generations of Ohi potters. Born in Ishikawa Prefecture at the start of the 20th century, he took up the family craft and, at the age of 26, became the head potter. Raku tea bowls made by Ohi 9 are some of the finest you will encounter, comparing favorably to even tea bowls made by the main Raku lineage in Kyoto...