Five Japanese Edo period woodblock prints depicting famous samurai from the series “Abridged Stories of our Country’s Swordsmanship” (Honcho kendo ryaku den) by Kuniyoshi (1797-1861) published by Kazusa-ya Iwazo circa 1845-1846...

Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting Nikki Danjo Naonori changing into a rat from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with margins evident. The print was removed from an album and is lightly album backed and slightly trimmed...

Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting the cannibal Shutendoji surrounded by captive women from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with nice gauffrage highlights and margins evident. The print was removed from an album and is lightly album backed and slightly trimmed...

Antique Japanese woodblock print of Ishiyakushi in Tokaido, Japan. Side has authentic artist censer seal by Hiroshige (1997-1858), and publisher's mark. Utagawa Hiroshige (Japanese: 歌川 広重), also Andō Hiroshige (Japanese: 安藤 広重; 1797 – 12 October 1858) was a Japanese ukiyo-e artist, considered the last great master of that tradition. Size: 13.5" H, 9.5" W

Japanese Edo period woodblock print by Kuniyoshi (1797-1861) depicting Minamoto no Yoshitsune in full armor and surcoat seated on a tiger-skin with his hand on an armrest from the series “Stories of One Hundred Heroes of High Renown” (Meiko hyaku yu den) published by Izumi-ya Ichibei (Senichi) circa 1844. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition with only minor fading and soiling evident...

Rare Japanese Edo period woodblock print pentaptych depicting five 16th century Takeda warriors involved in the Kawanakajima campaigns against the forces of Uesugi Kenshin by Kuniyoshi (1797-1861) published by Ebisuya Shoshichi (Kinshodo) circa 1845. Each warrior is surrounded by biographical text written by Shotei Kinsui...

Large 99-page Japanese mid-19th century composite album consisting of 33 of the more interesting, rare, and desirable oban-sized woodblock print triptychs produced during the late Edo period. Included are prints by Kuniyoshi (12), Kunisada I and II (7), Sadahide (5), Yoshikazu (3), Yoshitsuya (2), Hiroshige II (1), Yoshitora (1), Yoshimori (1), and Kunitsuna (1). The individual sheet size is 14 1/4"V x 9 3/4"H...

Antique Japanese triptych woodblock print, meaning it is comprised of three separate sheets, depicting Akechi Mitsuhide in the final battle of Yamazaki in 1582. He is shown seated upon his horse, which has been shot dead with arrows, clutching his sword and gazing over the river at the approaching enemy forces in the distance. Four of his own soldiers are seen scattered around, either dead or dying, soaked in blood, suffering traumatic injury...

Japanese Meiji period woodblock print depicting William Howard Taft viewing a sumo match during his 1905 diplomatic mission to Japan. With Taft weighing in at over 300 lbs., this print is likely offering a subtle comparison between Taft and the wrestler. This print is unsigned and undated. 14 3/4"V x 10 3/8"H. Very good color and impression quality. Good overall condition with pigment transference at the upper left corner, some minor soiling, and a few small holes and thinned areas...

Rare Edo period Japanese namazu-e (earthquake fish picture) woodblock print featuring a giant human-like catfish receiving punishment after being found guilty by a judge for causing the Ansei earthquake of 1855. A group of human-like catfish watch as the punishment is being meted out. In Japanese mythology, it was believed that giant catfish living underground caused earthquakes with their thrashing movements...

Rare Edo period Japanese namazu-e (earthquake fish picture) woodblock print featuring a giant human-like catfish playing a samisen beside an oni (demon) who is seated casually reading a book. In Japanese mythology, it was believed that giant catfish living underground caused earthquakes with their thrashing movements. A series of namazu-e were published anonymously in Japan shortly after the Ansei earthquake hit Edo (now Tokyo) in 1855...

Sino-Japanese War triptych of a naval battle scene at Wei-hai-wei featuring an embattled Chinese ship at the center surrounded by the Japanese fleet. Several final blasts sink the ship and send the Chinese soldiers into the ocean. The black ink signature of the artist is barely visible at the lower right and is possibly Kobayashi Ikuhide (active 1885-1898). The specific date is not filled in on the cartouche, but is 1894-1895. The assembled size is about 27 7/8"H x 14 1/4"V...

Russo-Japanese War triptych illustrating the surprise attack on Russia’s Far Eastern Fleet at Port Arthur that initiated the war. A large torpedo-boat is at the center. Two Russian ships at the upper left have been hit and are sinking. Three Japanese battleships are at the upper right. The title cartouche at the upper right describes the scene in both Japanese and English as “On the night of the 8th of February 1904, our brave fleet of torpedo-boats fired at the Russian squadron at Port ...

Japanese Yokohama woodblock print triptych illustrating the interior of an American steamship by Utagawa Yoshikazu (flourished 1850-1870) published by Maruya Jinpachi in 1861. In this design, the artist utilizes the traditional Japanese convention of “roofless architecture” which allows the contents of the ship to be visible. Inside, westerners are seated at a long table having a dinner party. The assembled size is 14 5/8"V x 29 1/4"H (each panel is about 14 5/8"V x 10"H). Good overall c...

Historically important Japanese woodblock print triptych depicting the landing of foreigners of the “Five Treaty Nations” in Yokohama by Utagawa Yoshikazu (flourished 1850-1870). The print features soldiers and civilians from America, England, France, Russia, and The Netherlands grouped together with their respective flag and label. Two Chinese compradores, who facilitated trade, are in the foreground and western ships line the harbor in the background. The print is signed “Issen Yoshik...

Japanese Meiji period Yokohama woodblock print depicting Okiyo, the daughter of a gardener in Mukojima, meeting with a foreigner who desired her to be his concubine. This print is illustration no. 661 from the newspaper series “Yubin Hochi Shimbun” (Postal News) by Tsukioka Yoshitoshi (1839-1892) published by Kinshôdô (Kumagai) the 4th month of 1875. 14 1/2"V x 9 3/4"H. Excellent color and very good overall condition with margins evident. The print has been stored away from sunlight and...

19th century Japanese Yokohama woodblock print depicting the famous Italian painter and printmaker Titian showing a bust portrait to a patron. This image is from a series of anonymous educational prints published in the early Meiji period that related to important Westerners. The print is unsigned and undated. 13 1/2"V x 9 7/8"H. Very good overall condition with margins evident. The print is not backed and has been stored away from sunlight. As the picture of the back shows, this image is ...

Rare Japanese Meiji period woodblock print triptych of the Tokyo-Ueno/Yamashita Train and Ueno Station from the series “Famous Places in Tokyo” by Utagawa Kunitoshi (flourished 1847-1899) dated 1st month of Meiji 22 (1889). The triptych is bound in the original folder and has not been exposed to sunlight. "Enlightenment" prints of the 1880's - 1890's promoted modernization and illustrated the westernization of Japan. The Japanese built their first railroad in 1872. It became a symbol of ...