Tokimono (kimono textile, unseamed and washed) of unlined summer kimono with katazome (stencil-resist-dye) Ryusui-mon (running water) design. It is made of hemp and gauze weave. Two pieces of cloth for bodies have tow slits (10cm) in the middle, for necks. Generally, in good condition but one panel, one front side has some light stain, however not serious from outside, and also one of a sleeve has a brown spot. Early 20th century...

This is tsutsugaki textile from the Edo period. A design of lions and peonies in the midst of silent falling snow. It's not flashy, but it looks like a fusuma painting from the Edo period. Both the indigo dye and the cotton are from the Edo period, and they have a very nice texture. There is one slight repair mark on the upper left corner. There are some light stains, but overall the item is in very good condition.Size:Length:170cm (66.9inch)inch / Width:150cm(59inch)

Saiho-hinagata (or hinagata), the sewing sample which is a miniature sample to learn sewing. It was invented by an educator for saving time and textile using a special measuring rod. It was practiced in a girl's school from Meiji 7, 1874). Reduced scales were one-third in the beginning and one-quarter, one-half, one-fifth etc. The sewing technique was exactly same as the real size in details. Saiho-hinagata was designated as a significant tangible folk cultural asset...

A sample book of wa-sarasa (Japanese sarasa) with 106 fragments on 43 sheets of paper board, mostly made in Meiji period (1869～1912) and some from early Taisho period (1910s). Originally it has 45 sheets, but 2 (3rd and 20th) are lost. The dye techniques are katazome (stencil-resist-dye) and print. The book is published by Kyoto Shoin in Showa 42 (1967). The 4th among limited 60 issues. 27cm x 35cm x 5cm.

Floor cushion cover (zabuton-gawa) made of choma (ramie) whose warps and wefts are hand-plied. It has beautiful katazome (stencil-resist-dye) bamboo motif. The white ground katazome is called "Jishiro" which is rather rare than indigo ground one. It has also nice cloth with stripes for lining, whose warps are cotton and wefts are ramie. Probably made in Echigo, now Niigata prefecture. In excellent condition. The second half of the 19th century. 64cm x 68.5cm

Tsugaru kogin kimono made of vegetable indigo dye hemp whose warps and wefts are hand plied. It is made in Tsugaru region in Aomori prefecture in Tohoku district. Kogin-sashi is one kind of needlework (sashiko), stitches with white cotton yarn go horizontally and make geometrical patterns. It makes the hemp kimono warm with thick kogin in the cold district like Aomori, where it is hard to cultivate cotton. Both sleeves are "tsutsu-sode...

Tsugaru kogin kimono made of vegetable indigo dye hemp whose warps and wefts are hand plied. It is made in Tsugaru region in Aomori prefecture in Tohoku district. Kogin-sashi is one kind of needlework (sashiko), stitches with white cotton yarn go horizontally and make geometrical patterns. It makes the hemp kimono warm with thick kogin in the cold district like Aomori, where it is hard to cultivate cotton. It has thin indigo dye cotton lining and sashiko in the lower body too...

Futonji (bedding) with tsutsugaki phoenix and paulownia tree design which is made of hand-spun cotton and vegetable indigo dye and colored with pigments. Phoenix is an imaginary and sacred bird by Chinese lore which perches on paulownia tree and eats fruits of bamboo. Tsutsugaki technique is excellent with fine freehand line. In excellent condition. Meiji period. 134cm x 162cm

Makanai which is a kimono worn at home after work in the Nanbu region, where is the east part of Aomori prefecture. It is made of hemp cloth whose wefts and warps are hand-plied and lightly vegetable indigo dyed. The lining is machine-spun cotton. It has very fine sashiko with indigo dye cotton yarn. In good condition but has light stains in front as well as in the back. The last image is from the book "Michinoku-no-Kohu-no-Sekai" by Tanaka Chuzaburo. The first half of the 20th century...

This is a rare and tattered tunobukuro bag textile made from old hemp and rags from the Meiji period (1868-1911). This is the bag you put the sweetfish in after you catch them. It's been used a lot, so it's a little soft. It has been washed, so there is no smell. You can enjoy both sides. Size: Length: 140cm (55.1"), Width: 30cm (11.8").

HAGIRE

As a waste part cut off from thin make Japanese cotton cloth with the design resist-dyed, early 20th century, approx. 96 x 7-26 cm (37.79 x 2.75-10.23in). Creases, slight discoloration, and mending due to aging as is...

HAGIRE

As a waste part cut off from thin make Japanese cotton cloth with the design resist-dyed, early 20th century, approx. 90 x 29 cm (35.43 x 11.41in). Creases, slight discoloration, and mending due to aging as is...

Saiho-hinagata (or hinagata), the sewing sample which is a miniature sample to learn sewing. It was invented by an educator for saving time and textile using a special measuring rod. It was practiced in a girl's school from Meiji 7, 1874). Reduced scales were one-third in the beginning and one-quarter, one-half, one-fifth etc. The sewing technique was exactly same as the real size in details. Saiho-hinagata was designated as a significant tangible folk cultural asset...

It is a Japanese antique komebukuro bag. It is a komebukuro bag sewn together with indigo dye Omi Kasuri jyoufu and European chintz. It does not stain and has two small holes. There is damage on the bottom.The inside has light stains from aging. 　　 size:: Length 22cm / 8.66inch Width 42cm / 16.5cm

This is antique old nature hemp and boro rag tatterd sahiko Stitch textile rare of the meiji era(1868-1911). It is very beautiful Slightly stiff boro textile. It can enjoy both sides. size:length 46cm (18.1inch) 　width:46cm (18.1inch)

This is antique old nature hemp and boro rag tatterd sahiko Stitch textile rare of the meiji era(1868-1911). It is very beautiful Slightly stiff boro textile. It can enjoy both sides. size:length 46cm (18.1inch) 　width:46cm (18.1inch)

Kake-fukusa, a gift cover, used on the occasion of auspicious events. It is made of tapestry weave silk with two performers motif, one is wearing Daikoku costume with a gavel. Two men look Kado-tsuke, strolling musicians or performers who play dancing and music in front of houses and get some money. In good condition but damage in the black Eboshi (hat) of the man with a fan. Meiji period (1868~1912) 62cm x 67cm

Kake-fukusa which is used to cover a gift on the occasion of auspicious events. It is made of tapestry weave silk with auspicious omen motifs, pine tree, plum tree with bloom and bamboo. Generally, in good condition except for a rift of the black yarn in the pine tree circle and some stains in the blue ground, and also three holes in the red silk lining in the back. Meiji period (1868~1912) 67cm x 72cm