This is a Japanese antique natural indigo dye cotton Excellent with rubbed and faded jacket of Indigo dye boro noragi patched and syonai-sashiko stitch Meiji (1868-1912). This noragi can enjoy both sides. Since this drifting object has been used and washed many times, it rubs well, and the indigo-dyed fading and the rubbing of cotton are very beautiful. Do patchwork and remake it to your favorite Boronoragi and enjoy...

This is a japanese antique silk Child furisode kimono of the Meiji era. It's a very auspicious pattern of fairy dogs(otogiinu), snappers, chrysanthemums, toy boxes, cranes and more. It is also used during the New Year and Hinamatsuri. It is a very cute and gorgeous children's kimono. A fairy dog is a pair of male and female dog decorations. It's a box, and you can put amulets, toys, makeup tools, etc. inside. It is also called a dog box...

It's a rare pattern of ayagata, treasure, plum and maple. It is handspun & natural indigo dye cotton. Hand-spun and soft to the touch is a characteristic of the Edo period. There is a faint fading.It has no damage Recommended for your antique textile collection. and It is ideal for Good for home decor,wall display,remaking materials such as the patchwork and craft projects　and boro quilting and You enjoy it....etc Size:Length:134cm cm(52.7 ")/ width:16.5 cm(6.4")

This is Edo period silk kinran, elephant and seahorse kaicyumono. What is kaicyumono (things in your pocket or pocket, especially wallets and paper cases) It's a very rare image pattern, and the metal fittings are auspicious seahorses. The silk cloth inside is kaiki...

Noragi (work wear) made of asa (hemp) whose both wets and warps are hand-plied. The sleeves are vegetable indigo dyed cotton. A few holes with mending patches. Late 19th to mid 20th century. 109cm x 71cm

Yuki-boshi (snow hat) made of weed and from Shonai region in Yamagata prefecture in Tohoku district. It is said it was worn by "matagi", a hunter. It has fragments of washi dyed with kakishibu (persimmon tannin) for waterproof. The second half of the 19th to early 20th century. In good condition. 45cm x 50cm

The end of the Edo period omijyofu indido dye hemp kasuri child kimono of charming pattern of treasure.There is no stain. There are two small holes in the sleeve. , but they don't stand out. It is a very delicate jyoufu hemp and is the best children's kimono. A hand-embroidered amulet is attached to the back. The silk waist straps on a white background are all original. It was carefully communicated and stored. I recommend it to your collection...

Rare item. Rokushaku Kanban which was worn by a palanquin bearer (kago-kaki) who was a servant worked for a feudal lord (tono-sama) and a bearer of a palanquin when the lord went out. There are various theories that the kimono is called "Rokushaku-Kanban": servants worked in the lord's residence or a castle are called "rokushaku" and the kimono has "kanban" which means a symbol or a family crest...

This is a Japanese antique BORO rag indigo dye Blue check pattern cotton fabric . It is an old handspun natural indigo dye cotton that is very comfortable to the touch. There are light stains and small holes and repairs. It sews 2 panels together. The vintage old fabrics used many times have become so beautiful and in themselves a wonderful art. It can be enjoyed on both sides. size: Length::147cm / 57.8" Width: 93cm / 36.6"

Antique Japanese men’s silk juban, an undergarment worn under a kimono. The dimensions: 51 ½” across and 53” from shoulder to bottom hem.

Minsa obi (sashi) made in Taketomi Island in Okinawa. The features of Taketomi Minsa obi are: both wefts and warps are machine-spun cotton and handwoven. It has four and five block warp kasuri pattern and both selvedges have uneven horizontal stripes which symbolize mukade (centipede). Minsa obi was a gift from a woman to a man meaning acceptance of engagement in old days. In excellent condition. 20th century. 8cm x 2m4cm u

It is an item from the Taisho era when feminine beauty was praised by the Taisho Roman movement. Under the influence of "romanticism", a spiritual movement that developed in Europe mainly in the 19th century, it came to be called in this way because of the liberation of individuals in the Taisho era and the idealistic climate for a new era. .. It is Jyuban made at this time. It is an item of the era when I longed for Western culture...

Baby's yogi which is one kind of bed cloth, a top cover in the shape of kimono. It has cotton cloth with katazome (stencil-resist-dye) for outside and indigo cotton for the lining. It has thick cotton inside for warmth and was used in the cold district or in winter. It is from Fukushima prefecture in Tohoku district. In good condition but has some light stains in the wrists and mending patches in the top shoulder. The first half of the 20th century. 92cm x 88cm

This is the Katazome cotton festival costume used in Edo during the Edo period. It is dyed with natural indigo. Cotton is hand-spun and thick. It has a few repair marks, but it doesn't stand out. The condition is good and there are no stains. Size: Length 142cm / 55.9inch Cuff to cuff, across the back: 122cm / 48inch Box.c

Two silk Fukusa wrapping cloths designed and or hand painted by Kamisaka Sekka enclosed in the original signed wooden box dating from the Taisho period. The first is an emboridered wrapping cloth with patterns of flowers and grasses designed by Sekka, 13 x 14 inches (33 x 35.5 cm) in excellent condition complete with red cloth obi. For an identical piece see Kamisaka Sekka: Rimpa Master - Pioneer of Modern Design by Kyoto National Museum of Modern Art 2003 p. 103 fig 23...

Han-gappa (short jacket) made of kuzdu-fu whose wefts are kudzu fiber and warps are cotton. Kudzu is one kind of leguminous plant. The collar is made of imported wool. Han-gappa made of kudzu-fu was worn in summer and other ones with lining was for winter. The design of the straps show it was made after Tenpo era (1830∼1844）in Edo period, according to the "Kinsei Fuzoku-shi" Buttons are made of the horn of the water buffalo...

Cotton lining for narrow sash (obi). Most of the fragments are hand-spun cotton cloth, such as plain cotton indigo dyed, itajime mame-shibori (clamp-board dye), katazome (stencil-resist-dye) etc. The second half of the 19th century. 15cm x 4m50cm

Kannon (Guanyin) the bodhisattva of compassion, is depicted by two of the most famous painters of the early Showa period on this pair of presentation cloths by Hashimoto Kansetsu and Tomita Keisen. Keisen’s loosely brushed image of a cherubic Kannon sits in the center of an Enso Zen circle...