A shiny golden Kyo-yaki tea bowl in mint condition made by the great Kyo artist Eika Miyaji 25 years ago. Red and white plum trees are hand painted on the body. This is definitely the most beautiful work of Eika Miyaji we have ever seen.

The seal of the potter is stamped on the bottom. His work was often published in great books (please refer to the last picture)

No chips or cracks - mint.

Size: 9 cm height x 10,1 cm in diameter.

We like to offer you a sophisticated Hagi Chawan, made during the early Meiji Era (1868-1912), perfectly thrown and highlighted with an old gold restoration, a fantastic gintsugi (kintsugi) which makes our Hagi tea bowl so valuable and outstanding.

It comes with a good Japanese wooden box.

Size: 8,2 cm height x 12,9 cm in diameter.

A magnificent Kuro Oribe Chawan of larger size and wonderful shape, made during the end of the Edo period (1615-1868). This kind of shoe-shaped bowl is called kutsu-chawan...

A real piece of art: Shino-Oribe Tea Bowl from the early Edo Period (around 1620, early 17th century). It is a shoe shaped Kutsugata Chawan covered with a whitish Shino-Oribe glaze over an iron oxide engobe in two quarter sections, where a triangle has been scratched into the dark engobe. The other two opposite quarters show a decoration of two squares in the style of mimasu - three squares.

The roughly cut foot ring and its surrounding show the typical little refined Mino clay...

We continue our presentation of Ohi chawan (Ohi tea bowls) with yet another sublime vessel, a true eye-catcher made at the end of the Meiji Period around 1910. It's a unique Ohi Chawan which seems to be a kuro Raku bowl, but it isn't. With its sophisticated shape and its mesmerizing play of predator pattern inside its outstanding.

Ohi ware is indeed closely related to Raku; the first Ohi potter was the son of Raku III, Donyu, and apprenticed to the fourth Raku master, Ichinyu...

Sophisticated Hagi Chawan by Living National Treasure Miwa Kyusetsu X (Kyuwa) (1885-1981) with warekodai made 70 years ago.

Many of Miwa's chawan have a split cross footring called a warekodai that was favored by busho chajin (warrior tea men); it traces its origins to Korean chawan. This chawan has a rare warekodai with only one split.

Miwa Kyusetsu X was a member of the group around Rosansin an Arakawa, which revived the momoyama ceramic...

Perfectly shaped Kuro Raku Chawan of Nitten Exhibition Potter Kiraku Kuzu with a beautiful jet black glaze. The Chawan was made 30 years ago.

It is in mint condition and comes with its originally signed and sealed wooden box and an appraisal of the famous Japanese Daitokji Temple, which makes this Chawan very special.

No chips or cracks.

Size: 8,5 cm height x 12 cm in diameter.

From our family collection of Japanese art from Living National Treasures: perfectly shaped Bizen Chawan from legendary Kaneshige Toyo (1896 - 1967)...

Here is magnificent example of the beauty of Raku ware, a pottery tradition born more than 400 years ago in the ancient Japanese capital of Kyoto, from the collaboration between great tea master Sen Rikyu (1522-1591) and a potter named Chojiro ( - 1592), the forebear of the great Raku family of potters.

Sublime half cylinder shaped (Hanzutsu) tea bowl with a rounded brim, in the typical hand built style of the Raku family...

Mint Oni-Hagi masterpiece chawan with notched foot by star potter Seigan Yamane. This extraordinary tea bowl is covered by wonderful different shades of orange-red glaze on brown pottery. In my opinion it is the one of the most aesthetic chawans that he made. The seal of the artist is stamped on the bottom. We have a similar chawan with greenish glaze - same price.

Seigan Yamane was born in 1952, and started making Hagi ware in 1987...

Surely an extraordinary confluence of circumstances must have come into alignment in order to bring this remarkable composition into existence. Done in the Korai style - referring to the heavy influence from Korean forms and glazing - this exquisite late Momoyama/early Edo period (1590-1620) Karatsu-ware tea bowl is really rare.

Regular formed wan shaped, showing fine finger marks from throwing...

Here is a really rare example of Ko-Agano-yaki from the early Edo Period (1600-1630) with a fine Kintsugi gold repair: regular wan shaped Ko-Agano tea bowl, showing very fine slightfinger marks from throwing.

The foot ring has been cut with a potters knife on a hand wheel. A glaze of rice straw ash has been poured with a laddle, while the potter held the bowl at the unglazed foot. Its unglazed finger marks show a fine, little iron bearing clay of a brownish color...

This is definitely the best work by modern avangarde artist Hiramatsu Ryoma and it demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bowl.

He surely needs no introduction. Ryoma is one of those once in 500 years' type of artists. He is a potter who goes beyond that usual appellation...

What a great Chawan! Wan shaped tea bowl made of light, refined and soft Mino clay, which contains a little iron oxide...

Wonderful Tobe Chawan with a fantastic glaze, made by the great 3rd Rakuzan Tamai (1924-1990) about 50 years ago. Rakuzan Tamai was accepted several times at the Nitten Exhibition in Japan. His work is part of the imperial houshold as well.

In mid 18th century Tobe ware was started in Ehime prefecture, Japan, and in the end of the 19th century, there was an increase in the production of tableware for export to South East Asia. Nowadays such type of Chawan is hard to find.

Another wonderful example of the beauty of Shino-yaki from the early Edo Period: Little deformed cylinder (hazutsu) shaped, in the style of shino ware - the bowl shows finger marks from throwing; foot ring and bottom have been cut with a potters knife. Typical for a Nezumi-Shino shino bowl, the light, unrefined Mino clay has been covered with an iron bearing engobe - with the exception of the bottom area.

A floral decoration on the wall and a circle inside near the brim has been i...