Japanese 4-panel screen painting (byobu) of two white herons and a weeping willow tree. One bird stands on the edge of a lake while another flies overhead. A weeping willow tree bends it's branches over the water. Painted in sumi-e ink and mineral colors on silver leafed paper. Signed.

Age: Taisho Period (early 20th century)

Dimensions: 36" high x 70" wide

An oil on canvas painting by famed artist Waki Shiro depicting the Moss Temple (Koke-dera) in Matsuo, Arashiyama. It is performed with unreasonably thick pigments and textures, rising 1/2 an inch (1 cm) of the canvas surface. This use of extreme texture was his signature style, and makes his work easily identifiable. The canvas is F4, 24.5 x 34 cm (9-1/2 x 13-1/2 inches) and it comes with the orginal frame...

Dusk puddles and drips among the thick textures of this mid-century oil by Yamada Eiji titled on back “Mori” (Forest). Oil on canvas, it is 18 x 24 inches (46 x 61 cm) and is in excellent condition, wrapped in a simple raw wood storage frame.
Yamada Eiji (1912-1985) was born in Fukuoka on the Southern main island of Kyushu and was accepted into the Nikkakai Ten exhibition in 1933 for the first time...

Ink and polychromy on silk. Charming kakemono of a musician on horseback holding her samisen. A child holds out a side of her richly decorated kimono. Courtesans seem to relax. One with a fan has lost her sandal (zori) while the other 2 are preparing to enjoy a tea. A poem at the top of the painting describes the scene. It is signed by 2 stamps which can attribute this painting to Kitagawa Fujimaro (1760-1850). Dimensions of the painting: H112 x W45.5cm.

Very beautiful and rare scene in ink and natural color pigments on a background of gold leaf and gold spangles of a Chinese scholar surrounded by students or disciples. He is leaning on a table where his tablets, brushes and a basket are placed. He observes a flight of wild geese over a rocky mound, a pine tree and a body of water that ripples among the reeds. Edo period late 18th early 19th century.

Antique Japanese scroll painting depicting 13 Buddhas, Bodhisattvas and Wisdom Kings. The deity at the very top is Dianichi-nyorai (Vairocana) with his hands in dhyana mudra...

Original painting of Ukita Ikkei (1795-1859), a significant figure in the revival of yamato-e painting, a revered Japanese form of court painting. He was also the master of waka poems and calligraphy.

Ukita Ikkei was captured and imprisoned in Ansei Purge and died shortly after he was released from prison when he was 65 years old.
The artist's signature and red stamp seal are on the lower right...

Original work of Yanagisawa Kien (1703-1758) Antique Japanese Painting of Jurojin, the God of Longevity

Yanagisawa Kien was a samurai in the middle of the Edo period and a pioneer of Nanga painting style...

MAP OF RIVER

Edo period's hand drawing map capturing the certain area of Kitakami river in Iwate, Japan, approx. 42 x 31.5cm (16.53 x 12.40in). Washi Japanese paper, in creased and stained condition as is. The last two photos were shotten up through the natural light...

An accordion album featuring calligraphy and paintings by various well known Zen priests of the first half of the 20th century. Including the opening there are 30 pages. The book is 22 x 31 cm and in overall fine condition. The opening pages are by Kutsu Deiryu (Izawa Kanshu 1895-1954, head priest of Kaiseiji), the famous protégé of Nakahara Nantenbo. It is followed by;
1. Daruma by Goto Zuigan, 1878-1965, Myoshinji, Daitokuji
2...

VIOLINIST & READER

Anonymous vintage reversible oil painting on particle board, Showa period, 20th century, Japan, approx. 330 x 240 x 2mm (12.99 x 9.44 x 0.07in)...

Antique Japanese two-panel Byobu folding screen painting of a pair of Pheasants (male and female) and their chick. The male stands on a craggily rock with blooming Peonies nearby and Weeping trees in the background.

The Pheasant is a messenger of the Sun Goddess Amaterasu and represents power, abundance, promise, and duty to the family while the family itself represents marital bliss...

Hanging scroll. Painting of two noble men on horseback. The men and the horses are dressed up beautifully and are obviously competing with each other in one way or another. Probably a scene on a horse track, the men shortly before or after a race.

Ink and mineral colors on silk, in a gold brocade mounting with bone scroll ends.

Signed in lower right: Shogai...

Deceptively simple and notoriously difficult to apply with the calligrapher’s brush in one fluid, arching stroke; the symbol of the ensō has long been associated with strength, elegance, and the simultaneous being and non-being of the universe. A closed ensō (such as the one featured here) is more closely associated with the idea of transcendent perfection, while an open ensō represents movement, fluidity, and attainment in the corporeal world...

PICTURE-STORY SHOW

Portable wooden stage for 'kamishibai' (Japanese picture-story show / ref. https://en.wikipedia.org/wiki/Kamishibai), and "arranged" 15 pieces of child's drawings (that's why no written story at each of its backside, as originally nothing to do with this kamishibai stage)...

Pair of six leaves screens with decoration of horse-races on golden relief paper. The decoration offers a multitude of characters combining all the social classes gathering in the sanctuary of Kamo to Kyoto, to attend the taking place horse-race the fifth day of the fifth month : the Kamo Kurabe-Uma (加茂競馬).

This race count twenty riders in costume of Heian period split in two teams. She begins on the cherry trees side symbolizing the spring, and finish on the maple trees ...

A classic renditions of the Bodhidharma (more commonly known as the Daruma in Japan), this scroll from the Muromachi period (1336-1573) depicts the legendary monk who famously introduced Buddhism to China. Originally from India, he is said to have traveled across the Himalayas on foot to share the wisdom and knowledge from his studies of meditation which later spread to Japan, Korea, and other parts of the world. In Japanese Buddhist paintings from Edo to the present, the Daruma is often seen as...

Revered Chinese scholar and tea master, Lù Yǔ is known as the “Sage of Tea” and is credited with advancing the practice of tea through the writing of his life’s work,The Classic of Tea. Here we see a masterful rendition of this historic figure done by one of the most iconic Kyoto painters—and founder of the Maruyama school—Maruyama Ōkyo.

Student of Ishida Yutei (1772-1786), Maruyama studied primarily Kano and Tosa painting and was influenced greatly by western art, par...