Magnificent set of Kamisugi Sake Brewery bronze doors from the Taisho Period, C.1920. One door has gold gilt wood letters reading 'Kamisugi' the other 'Shikishima', both sake brands. Kamisugi Sake Brewery was established in C.1805. 42" wide by 67" high. Great condition. Back with some wear. Ask for shipping quote.

Japanese mingei water wheel of hinoki wood. Constructed with iron nails, joinery, complete with 17 spokes and paddles with kanji characters. The central hub has an iron piston protruding for rotational function. The wheel comes with a contemporary custom steel mount which allows it to spin smoothly and silently.

Meiji Period (1868-1912)

Dimensions: 64 1/2" wide diameter x 9 1/8" deep (paddle)

Japanese antique water pump used by a brigade of firemen to put out fires. From the writing, the pump was used in December, Meiji 7 (1874). Other writing states "Edo", most likely referring that the fire company was operating during the Edo Period and/or in the city of Edo, Japan. A 3 character mark says 雲龍水 unryūsui ("cloud-dragon-water", the name for this type of pump)...

A large mask in the form of the face of an oni (demon) that typically would hang in the kitchen or in a temple, to ward off evil spirits. A slit in the back is for hanging the mask from the wall.

Wood with remnants of polychrome pigments red, white and grayish black.

Japan, late Edo period (18th/19th century).

H mask 13 in.; H with stand 18.5 x W 9.75 in.

Mounted on a stand, sitting on a pole that has been inserted through the chin of the mask...

Exceedingly rare and unusual bronze temple lantern. Late Meiji Period c.1910. Very large and wonderful configuration with round glass windows on each of the 6 sides. Doors open where an oil wick was placed in the old days. can be fitted for electric light. This japanese lantern exudes atmosphere. 26" tall and 19" inches wide. superb condition.

DESCRIPTION: This outstanding and rare antique Japanese Tonkotsu, or tobacco box, has been crafted from boxwood in the form of the Three Wise Monkeys, with a beautifully carved Iwazaru, or “Speak no Evil” monkey, serving as the main tobacco container. Mizaru, or “See No Evil”, forms the ojime and Kikazaru, or “Hear No Evil”, forms the netsuke to complete the set. Each of these has been meticulously carved with inlaid eyes and finely delineated fur...

Antique Japanese ceramic figure of the moon faced Otafuku. Her name was once Uzume and evolved into Okame which means "tortoise", a symbol of longevity. Otafuku or Okame is considered the goddess of mirth, a cheerful woman who's name means "abundant good fortune". A bringer of victory and success, she is good-natured, good-humored, good-hearted, generous, kind, serene, and patient. She is smart, strong-willed and competent as well as powerful enough to easily frighten away evil spirits...

Distinctly art deco, this C.1920 late Taisho Period exemplifies the burgeoning japanese basket makers shift to bold weaves and incorporating new mediums. The use of fuji (wisteria vines) intertwined with bamboo creates an entirely new ascetic. 16" tall and 9" wide. Ask for shipping quote.

Sculpture of a long-nosed tanuki, walking with a hat on its back and a flask in its left paw. The piece is built around a large piece of root wood that comprises the torso, legs, the enlarged scrotum and tail. The head is a separate piece of root wood, the ears inserted. The sake flask is a small piece of root wood, and the hat is carved from a slab of a different wood species...

Antique Japanese large pulley carved of beautiful hardwood on custom Iron Stand. Two wooden wheels on the inside are built to support a rope. The hardware is made of iron and includes a large swiveling hook. A wonderful example of utilitarian Mingei elevated to sculpture. Meiji Period (1868 - 1912). Size of pulley including hook: 35" high x 11 1/2" wide. Height including Custom black Iron stand: 41 1/2" high

Lovely `Shishu` hand embroidery 4 panel screen of cranes. Fine, intricate work. Black lacquered frame. Comes in origianl cedar box. Fantastic Showa period C. 1935. Perfect size for over a couch, flat on the wall. 42" tall by 70". Ask for shipping quote.

Storage jar with tapering body, broad shoulder and slightly everted lip. Used for storing tea leaves.
Stoneware with some inclusions, pitted surface and natural ash glaze patches.

Iga ware, Mie Prefecture, Japan, Edo period, 17th or possibly a little later (early 18th century).

Comes with wooden storage box of a later date.

H 10-1/2 inches

Excellent condition

From the Collection of Osborne and Victor Hauge and their wives

Sculpture of Daikoku sitting on a rice bale with a big grin on his face, spilling countless jewels (tama) from his treasure bag.
Keyaki (Paulownia) wood, carved in a slightly abstracted manner, called ittobori.
Unsigned. Mingei (folk art)
Japan, 19th century.

H ca. 11 x W 10½ in.

Tension cracks (consistent with material and age), several scuff marks, painters tape on bottom.

Daikoku is one of the seven gods of good fortune. He stands for good fortune and wealth...

Beautifully plaited bamboo basket we think by Iizuka Sounsai of the famed Iizuka Family of reknown basket makers in the Taisho and Showa eras. It is not signed but exactly like the signed Kyokusho (Sounsai's art name) pc4 we have on the site. Circa 1920 – 1940. Iizuka Kyokusho was a brother of Iizuka Rokansai and Iizuka Hosai. He worked in Tokyo, and liked to work with slat bamboo. 12" tall by 10" wide. Great condition. Ask for shipping quote.

An antique Japanese bamboo Ikebana basket in a free-form cocoon style with a twisted bamboo rope foot. Flat split bamboo slats of smoked chestnut color in a vertical weave with a multi-node bamboo handle intertwined with a twisted bamboo rope. Artist signed at the base, Chiku Shusai.

Age: Meiji Era (1868-1912)

Dimensions: 12" Wide by 23" High by 10 1/2" Deep

Kanban or shop sign. The sign indicates that the store would sell or manufacture ornamental pin holders for the oars on a boat (ireko), in the shape of dolls. According to the sketch pasted to the back of the kanban, this holder is mounted on the oar and is placed over a pin mounted on the boat edge. The oar pivots around that pin, so that the oar moves the boat through the water.

The pin holders are decorated as a male and a female doll in court style, their mouths wide open...

Amazing boro made of hand-spun and vegetable indigo dye cotton fragments. It used to be the lining of yogi, which is one kind of futon, in the shape of kimono. It is from the Japan Sea side district in Kansai, such as Fukui or Kyoto. It is partly sewn with hemp yarn. Late 19th to early 20th century. W:95cm, L:165cm

DESCRIPTION: A large and delightful carved wood figure of one of the seven Japanese gods of good fortune, Daikoku, the deity of prosperity. Here he is seen in his traditional pose, standing on two bales of rice with his wish-granting mallet in his right hand, and a bag of riches slung over his left shoulder. Daikoku is also venerated as the deity of the kitchen where such carvings were traditionally displayed, sometimes in the ceiling rafters for good luck...