A charming Japanese chawan or tea ceremony bowl, with satsuma yaki ware crackle underglaze painted in polychrome enamels with gold gilt touches, delicate imagery of flowers and gentle breezes with a single butterfly.

19th century Meiji period (1868-1912)

Dimensions: 5 1/8" w x 2 1/4" h

A Pottery pouch covered in polka-dot silver glaze inspired by traditional textiles by pioneering female artist Tsuboi Asuka threaded with genuine silver couched chord and enclosed in the original signed wooden box. It is 11 cm (4-1/4 inches) tall and is in excellent condition.
Tsuboi Asuka was born in Osaka in 1932, but the family moved to Tokyo when she was 12...

An unusual shallow Japanese porcelain plate (#2) decorated with confronting dragons, one in blue and gold, the other gold and red. The plain back with 5 neat spur marks.

Arita porcelain, circa 1750 ~ 1780.

Approximately 18.7 cm diameter...

An unusual shallow Japanese porcelain plate (#1) decorated with confronting dragons, one in blue and gold, the other gold and red. The plain back with 5 neat spur marks.

Arita porcelain, circa 1750 ~ 1780.

Approximately 18.7 cm diameter...

A breathtaking work by Miyake Yoji enclosed in the original signed wooden box titled Nuki-e Kinsai Sakura-mon Kaki. The unabashed use of gold on this piece is extraordinary. Quite large, it is 39 cm (15-1/2 inches) tall, 27 cm (11 inches) diameter and in excellent condition. This is a step beyond even for an artist known for his bold patterns and designs; this would make a powerful centerpiece for a collection of contemporary Japanese pottery...

A heavily potted Arita porcelain dish featuring a rural pavilion beside a waterfall, the moulded cavetto with a celadon glaze. The blue and white landscape with touches of iron-red and gold enamel.

Arita, circa 1750 ~ 1780.

Approximately 22.5cm diameter...

An attractive Japanese porcelain dish, the blue & white decoration depicting the King of Beasts and the Queen of Flowers. The Lion-Dog and the Peony, shi-shi and botan in Japan, represent bravery and elegance . A popular motif.

Arita, circa 1790.

Approximately 29 cm diameter. Perfect condition...

An Arita porcelain plate (#2) decorated with a leaping carp within a moulded border based upon Chinese Ming export porcelain, ‘Kraak’ style. The dishes have faux chattering in imitation of Wanli Kraak dishes.

Arita, 1750 - 1780.

Approximately 21.5cm diameter...

A large Japanese export porcelain charger decorated with a design based upon a Ming Chinese ‘Kraak’ porcelain dish. Arita, 1680.

For a similar but smaller plate see item 12 in the Impey Collection. ‘Ko-Imari Porcelain from the Collection of Oliver Impey’, Barry Davies Oriental Art, 1997.

Approximately 28.2cm diameter...

An Arita abalone (Mother of Pearl) shaped dish painted in somenishikide style with a stylised landscape of Mountainous Islands, a shoreline with rocky outcrops with various trees including Pine, flowers and grasses with a rather peculiar and precarious structure in the foreground seemingly lacking several posts in its construction. The reverse decorated with landscape vignettes to the reverse and a six character mark for the Chinese Emperor Qianlong...

A fine large straight sided Japanese Ko Imari cup, inoguchi, or hogs mouth beaker; sometimes referred to as “soba choko”, a cup for “soba” buckwheat noodles. It is decorated primarily in underglaze blue with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, botan, a classic subject in Japanese art known as “Botan-ni-Shishi”, which combines the auspicious qualities of the King of Beasts and King of Flowers...

An oak leaf shaped moulded dish of six-sun size in “Ko Sometsuke” style decorated in underglaze blue with three seated figures sitting around a low table with a typical Chinese style landscape of mountainous islets in a costal setting with a Ting, small pavilion in the foreground. The reverse decorated with prunus blossom sprigs and a seal for the Kameyama kiln in the centre of the foot-ring. Dating late Edo, Tenpo era...

An Ai Kakiemon dish decorated with a repeating pattern of Hosoge, flowers of Precious appearance, which in this case would appear to be representations of auspicious Pomegranate fruits constructed from Ruyi, Acanthus style leaves and other disparate elements. The ring of Hosoge pierced by a circlet binding them together with a central motif of a gobenka...

Leaf images in various seasonal shades decorate the raw earth of these expertly crafted dishes by legendary artist Kitaoji Rosanjin, the set enclosed in a double box, the inner box the original age darkened kiri-wood box signed by Rosanjin, the outer box later covered in black lacquer showing the esteem for which both this dish set and box were afforded. On bottom is the star mark, indicating these were made for use in his restaurant...

A finely potted Hirado dish featuring three figures wearing capes and carrying heavy packages upon their backs descending down a high mountain trail. Inferred by the small gnarled Pine trees on the wayside. Although no particular scene is identifiable the figures are in Hokusai “style”. The reverse is painted with a Karakusa arabesque and has a single spur mark within the base of the footring. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18...

A finely potted six sun sized dish decorated with a traveller clutching his hat and leaning into a cold wind before a snow covered Mount Fuji. The design would appear to be derived from a print of travellers in the Mishima pass, one of the 36 views of Mount Fuji. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18.2cm in diameter and stands 3.4cm high at the rim. It we...

A well potted Hirado six-sun dish painted with a landscape with figures in the distance fording a river. This would appear to be a representation of the arduous crossing on the river Oi part of the Tokaido, probably derived from a topographical view, such as the Tokaide meisho ichiran, or similar. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18.2cm in diameter an...

A finely potted six-sun dish painted with the subject of two fisherman in a boat in the style Of Hokusai. The design is probably derived from several sources, notably the prints “Fishing in Rough Water” at Takamizawa, one of the 100 views of Mount Fuji and “Long line Fishing” on the Miyato river. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18.2cm in diameter...