Beautiful Tibetan painting depicting white Tara and four other bodhisatvas, originally this was a book cover for a sacred text, painted in mineral colors on canvas and mounted like a thangka. 18th century. Total size: 15 1/4" high x 30" long. Size of painting only: 6 1/2" high x 26 1/4" long.

Very fine Tibetan Bronze Buddha Vajrasattva on wooden pedestal, 17th. century or older.

The right hand holding a vajra vertical in front of his heart center, the lowered left holding a bell. Seated in dhyana-asana. Powerful body and meek facial expression. Wearing a multi-leaved crown as well as the jewelry and clothes of an enlightened Buddhist Bodhisattva. The bell was separately casted. Bottom covered with consecration plate. Slight signs of age...

Tibetan Bronze Mahakala Mask Censer. The jewelled and crowned mask well cast and raised on three feet. Tibetan 19thC. Length; 6" (15.1 cm). Condition; polished patina

Vajradhara or Dorje Chang in Tibetan is the ultimate primordial Buddha or Adi Buddha according to the Gelug and Kagyu schools of Tibetan Buddhism. This fine example is from Tibet or possibly from Nepal. It is well proportioned and has very nice facial features. Please note the fine engraving on the back of the figure. It is in a very good condition with normal age wear, a nice patina and remains of polychrome. H. 23 cm. From a Dutch private collection.

Tibetan bronze figure of Tara, goddess of compassion. She is seated on a double lotus base with her right foot extended and resting on a smaller lotus. Her left hand holds the stem of an utpala flower (symbolizing longevity) between her thumb and third finger in Vitarka Mudra or teaching gesture. Her right hand is resting palm up on her knee with just thumb and forefinger touching in Varada Mudra, the gesture of boundless giving. On her right side, blooms a lotus...

This small elaborate Buddhist monk's medicine bottle is sewn into a larger pouch of burgundy homespun wool fabric with yellow/gold silk lining. When worn, the stopper would be securely held in the bottle by a system of handmade cords and bands. The medicine bottle would be worn outside the robes and suspended on the Monk's belt. These were used for both travel and ceremonies.

Tibetan Himalayan Buddhist Copper and Brass Prayer Wheel, with Bamboo handle supported by round Shell Disc, 17" high, 3 1/4" wide, Paper Scrip is inside the drum, copper cap wrapped around the tip of Bamboo handle at the end of the handle, the condition is good. This piece was in the private collection since 1990, purchased in Lhasa during their trip.

This is a relatively modern Buddhist painting, done entirely by hand, depicting Lhamo, a Buddhist protector deity. Exceptionally well painted, as the photos will show, this painting was most probably done in Nepal. The painting itself, excluding the cloth "mount," measures 16" X 21". Given the quality of the painting, my sense is that even though relatively modern, the piece was in fact intended for devotional purposes and not as an item of trade...

Burl wood and silver bowl, used for Tsampa, the traditional Tibetan porridge, and for buttered tea. The silver lining plain, the exterior with chased and delicately engraved decoration of flowers. Tibetan silver normally lacks hallmarks and this bowl tested for a silver content of 925 /1000. Probably antique, late 19th or early 20th century. Diameter "4 ½ / 11 cm, height "2 ¼ / 5.7 cm. Condition: fine.

A beautiful Wangden carpet from Tibet, made with Yak hair warp with thick wool pile and fringe borders. Central floral pattern surrounded by a large tridimensional meander pattern. These kind of carpets were traditionally used in the monasteries to keep warm while sitting during long pujia ceremony in the cold winter. But were also used by wealthy families. Size: L. 160 x 92 cm; 63 x 36 inch Early 20th cent...

A very attractive and unique 19th Century collar necklace of natural matching-colored glass coral beads and unusually carved turquoise pieces sewn onto a heavy cloth backing and wearable. Purchased in Lhasa Tibet 20 years ago. Size: L. 42.5cm. W. 3.5cm. Condition: No repairs and complete.

Set of three paintings each 13x10.5 cm showing three dancing Dakini. Text on reverse. Mounted between plastic with tape binding edges. Undated, estimated to be 19th century or earlier. Can be viewed in central London and shipped worldwide.

Fine lime box, made of silver with embossed decoration of floral and geometric design, its lid being adorned at its top with an embossed brass decor representing a stylised Buddhist Wheel of the Law. Beneath, an embossed design representing a stylised Buddhist Wheel of the Law surrounded by a floral decor. The box still contains remnants of lime, which is used for the betel. Tibet, early 20th century, maybe earlier. Dimensions: height: 4.8 cm, diameter: 6.3 cm. Very good condition.

The expression of Sakyamuni is beautiful and serene. Clearly carved by a master artist. The image is made of one single piece of precious, dark purplish zitan wood. These type of wood images were made of different parts and assembled ( it can be seen by the holes where the various parts would have been stacked together ). Unfortunately the arms and lower part of the body has been lost but it is still a very charming piece! Fixed on a newer hardwood stand. Tibet, 16–17th cent...

A very attractive votive image of Akshobya Buddha in fire gilt bronze. He is seated on a fairly high, lotus throne. The hem of his robes are accentuated with raised lines made as strings of pearls with the lower parts decorated w. incised patterns. The robe covering the left arm is open underneath and the rim of the seat has large pearls in accordance with 15th century stylistic features for Central Tibetan bronze images of Buddha...

A fine portrait-image of Tsongkapa (1357–1419), the founder of the Gelugpa School of Tibetan Buddhism. Brownish bronze alloy with a high content of copper. Tibet, 17th century. H 14 cm. Fully sealed with original closing. Condition: Some rubbing to gold, and sword on the right shoulder missing.

Tibetan bronze gilt statue of Kubera, known as the "Lord of Wealth and the North". He originates from Hindu mythology but is also recognized in Buddhism and Jainism. He holds a mongoose as a symbol of his victory over the Nagas, snakelike deities and guardians over treasures. He sits upon the back of a lionlike creature and has an arch of flames with gilt tips behind him. The jewels on his crown and around his neck are dotted with blue and red enamel. Size: 13.5" height, 10" width, 6" depth

Tibetan seated figure likely that of arhat Ajita, one of the 16 arhats. He is identified by two corresponding features; his hands which are resting in his lap in dhyanamudra (the gesture of mediation) and his covered head. His face is handsome (due to an accumulation of virtue) and his gaze is tranquil. Made of gilt copper repousse and with silver repousse over laid details. He sits on a lotus base and his facial features are painted.

Age: circa 1900